Description
Our understanding of scenography has, over the course of the twentieth century, changed radically from stage design as decoration, depicting a location of a (written) play, to the scenic/spatial construction (or intervention) of the place and site of performance – scenography as a dynamic element in the creation of performance dramaturgy.
Introduction
Sodja Lotker, Richard Gough
pp. 3 – 6
Prologue : Scenography at Home
Vesela Kucheva
pp. 1 – 2
Mise en Plate : The scenographic imagination and the contemporary restaurant
Joshua Abrams
pp. 7 – 14
Between Nothing and Everything : The summit of Mount Everest
Gavin Carver
pp. 15 – 18
Disrupting the ‘Silent Complicity’ of Parliamentary Architecture
Andrew Filmer
pp. 19 – 26
Maritime Scenography and the Spectacle of Cruising
Anita Gonzalez
pp. 27 – 31
Blasted at the Queens Hotel : Coincidence of sign and site
James Hudson
pp. 32 – 37
The Performative Museum and the Site-Constructive Work of Mkultra
Peader Kirk
pp. 38 – 46
Conversations over the Gap
Renee Newman-Storen, Ryan Reynolds
pp. 47 – 53
The Politics of Scenography : Disrupting the stage
Sigrid Merx
pp. 54 – 58
Cronulla NSW 2230 Australia : A Fotonovela [artists’ pages]
Thea Brejzek, Lawrence Wallen
pp. 59 – 62
Scenography, Spectacle and the Body of the Spectator
Joslin McKinney
pp. 63 – 74
Scenographic Paradigms : Some principles of perception and interpretation
Freddie Rokem
pp. 75 – 83
Time and Space on the Stage
Arnold Aronson
pp. 84 – 94
Thinking Scenography : Inventing a building
Anne Karin Ten Bosch, Liesbeth Groot Nibbelink, Trudi Maan, Nienke Scholts, Nienke Scholts
pp. 95 – 105
Body Never Lies [artists’ pages]
Monika Ponjavic, Marina Radulj
pp. 106 – 108
Out of Space : The rise of vagrancy in scenography
Benedict Anderson
pp. 109 – 118
The Object Animates : Displacement and humility in the theatre of Philippe Quesne
Richard Allen
pp. 119 – 125
Scenography in the Staging / on the Stage / in the Mind of the Audience
Boel Christensen-Scheel, Christina Lindgren, Anette Therese Pettersen
pp. 126 – 134
In actu Negotiations of the Stage as a Spectrum of Im/possible Movements : Grounding alternative spatio-temporal experience in Philipp Gehmacher’s series walk+talk
Constanze Schellow
pp. 135 – 143
Terra Nullius : The nomad and the empty space
Sam Trubridge
pp. 144 – 153
To Set and Not To Set : Destabilizing abstraction in scenography
Simon Donger
pp. 154 – 160
Performing Architectures : Closed and open logics of mutable scenes
Beth Weinstein
pp. 161 – 168
Setting the Fractal Clock(s) : The coordinates of a spatial expression
Richard Downing
pp. 169 – 178
Scenography of Death : Figuration, focalisation and finding out
Mieke Bal, Michelle Williams Gamaker
pp. 179 – 186
Found Scenography of DoMA/at Home [artist’s pages]
Howard Lotker
pp. 187 – 189
Embodying Scenography
Stephen Di Benedetto
pp. 190
The Parts and the Whole Performance and Scenographic Ecosystems [artist’s page]
Nick Hunt
pp. 191 – 191
Audible Scenograohy
Johannes Birringer
pp. 192 – 193
Choreographic Scenography : Structuring movement within the LCLS
Angrette M. McCloskey
pp. 194 – 194
Scenography : Separating the inseparable?
Steve Tromans
pp. 195 – 196
Scenography of Virtual Sound-Stages
Charlotte Gruber
pp. 197 – 197
Figures of Speech [artist’s pages]
Tansy Spinks
pp. 198 – 199
Protest Scenography (review)
Stephen Duncombe
pp. 200 – 201
The Contested Scenography of Revolution (review)
Tania El Khoury
pp. 202 – 205
Notes on Contributors
pp. 206 – 209
Epilogue : The Swan Boat
Matthew Goulish
pp. 210 – 214
