Description
Including material from internationally renowned artists and scholars, yet also featuring some of the most provocative new voices in the field, this substantial peer-reviewed journal explores the unsettled boundaries, rapidly changing practices, and shifting definitions at play within the world of contemporary performance. Making innovative connections between theatre, dance, music, time-based and live art, Performance Research speaks to a broad readership of academics, practitioners, critics, and students interested in the relation between performance practice and research. In addition to in-depth essays, editorial comment, and book and performance reviews, each issue initiates new ways of addressing established forms of performance through the inclusion of extensive visual material, performance documentation and commissioned art works for the page.
Prepared Pages
Lily Markiewicz
pp. i
Editorial
Ric Allsopp, Richard Gough, Claire MacDonald
pp. v – viii
The Temper of the Time: A correspondence (Part One)
Misha Glenny, Kirsten Lavers, Jude Walton
pp. 1 – 4
The Dream in the Desert
Mike Pearson
pp. 5 – 15
Performance Epistemology
David George
pp. 16 – 25
Prepared Pages
Hugo Glendinning, Forced Entertainment
pp. 26 – 31
Prepared Pages
Lily Markiewicz
pp. 29
This is the Theatre that was to be Expected and Foreseen
Johannes Birringer
pp. 32 – 46
MURX: Berliner Volksbühne
Lily Markiewicz
pp. 47 – 51
Opening up the Text
Heiner Goebbels
pp. 52 – 58
Arbeit Macht Frei Vom Toitland Europa: Akko Theatre Centre
Heike Roms
pp. 59 – 62
Site/Intermedia
Nick Kaye
pp. 63 – 68
Prepared Pages
Lily Markiewicz
pp. 69 – 70
Self Sorage: Brian Eno, Laurie Anderson and students from the Royal College of Art, London
Andrea Phillips
pp. 70 – 72
A Decade of Forced Entertainment
pp. 73 – 88
Temper of the Times: A correspondence (Part Two)
Eugenio Barba, Peter Hulton, Brigitte Kaquet
pp. 89 – 97
Prepared Pages
Alastair MacLennan
pp. 96 – 97
Sentenced to
John Hall
pp. 98 – 102
Changing Time
André Lepecki, Johannes Odenthal, John Ashford
pp. 103 – 113
Book Reviews
Cindy Oswin, David Williams, Aaron Williamson
pp. 114 – 122
Archive Review
Claire MacDonald
pp. 123 – 125
Notes on Contributors
pp. 126 – 128
