Description
This issue will survey the way words, vocabularies and discourses are changing, through attending to terms that are contested or in flux, and that in their current usage signify some of the preoccupations of the artistic, political and intellectual cultures of which they are a key part. A Lexicon consists of key terms and concepts from practitioners, theorists and activists currently working in the field of contemporary performance arts and research. Its contents will include polemic and manifesto as well as analysis and reflection, and take the form of dictionary-style entries, letters to readers, images and sets of instructions.
A-F: ACTING AIR/SPACE ANTHROPOMUNDIC ARCHITEXTURES ARTAUDIAN AUDIENCE AUTOGRAPHY AUTO-REFERENTIAL READING AVANT-GARDE BALANCE BLOOD CHANCE CHOROGRAPHY CINEMA CINEMATIC IMAGERY COMMUNICATION COMMUNITY CONTINGENCY DANCE DEMOCRACY DEVELOP/DECAY DIALOGUE DIGI
pp. 1 – 60
Acting
Stephen Bottoms
pp. 2 – 2
Anthropomundic
Peter Hulton
pp. 2 – 4
Air/Space
Alison Knowles
pp. 2 – 2
Architextures
Johannes Schröder, Norbert Wilting
pp. 4 – 5
Artaudian
John Stokes
pp. 6 – 7
Audience
Matthew Reason
pp. 7 – 10
Autography
Paul Zeal
pp. 11 – 12
Auto Referential Reading
Ivana Sajko
pp. 12 – 14
Avant Garde
Günter Berghaus
pp. 14 – 16
Balance
Alison Knowles
pp. 16 – 16
Blood
Antonia Payne
pp. 16 – 18
Chance
Alison Knowles
pp. 18 – 18
Character/Personality
Alison Knowles
pp. 18 – 18
Choreography
Mike Pearson
pp. 18 – 20
Cinema
Jan Ritsema
pp. 20 – 22
Cinematic Imaginary
John Downie
pp. 22 – 23
Communication
Rudi Laermans
pp. 23 – 25
Community
pp. 25 – 29
Contingency
Anna Schober
pp. 29 – 33
Dance
Franz Anton Cramer
pp. 33 – 37
Democracy
Paul Rae
pp. 37 – 40
Develop / Decay
Alison Knowles
pp. 40 – 40
Dialogue
Patrice Pavis
pp. 40 – 42
Digital Performance
Johannes Birringer
pp. 42 – 45
Dissemination
Ric Allsopp
pp. 45 – 46
Distribution
Antonia Payne
pp. 47 – 49
Dys-Embodiment / Corporeal Literacy
Maaike Bleeker
pp. 49 – 51
Duration
Alison Knowles
pp. 49 – 49
Ethics
Michal Kobialka
pp. 51 – 53
Fakelore
Paul Clarke
pp. 53 – 55
Festivals
Antonia Payne
pp. 56 – 57
Footnote Dramaturgy
Goran Sergej Pristaš
pp. 57 – 58
Friendship
Lone Twin
pp. 58 – 59
G-O: GESTURE GHOST GROUND IMAGE IMMATERIAL PERFORMANCE INTERACTIVE IMPRESSIONS INTERACTION INTUITION IT LANGUOR LINE LYING AND SYNCOPE NOISESPEECH OPEN WORK ORDINARY/EXTRAORDINARY
pp. 61 – 86
Ghost
Martin Hargreaves
pp. 62 – 64
Gesture
Rudi Laermans
pp. 62 – 62
Ground
Mark Leahy
pp. 64 – 65
Hazard
Ric Allsopp, Richard Gough
pp. 65 – 66
Image
Michal Kobialka
pp. 67 – 68
Immaterial Performance
Mårten Spångberg
pp. 68 – 69
Impressions
Eleanor Bowen
pp. 69 – 71
Interaction
Alison Knowles
pp. 71 – 71
Interactive
Susan Kozel
pp. 71 – 75
Intuition
Sally Mackey
pp. 75 – 78
It
pp. 78 – 79
Languor
Simon Critchley
pp. 79 – 80
Line
Eleanor Bowen
pp. 80 – 82
Light
Alison Knowles
pp. 80 – 80
Lying and Syncope
Fiona Wright
pp. 82 – 85
Noisespeech
Freya Bailes
pp. 85 – 86
Ordinary / Extraordinary
Alison Knowles
pp. 86 – 86
Open Work
Ana Vujanović
pp. 86 – 86
P-S: PASTORAL PERFORMANCE WRITING PHENOMENOLOGY PLACES/NON PLACES POSTDRAMATIC PERFORMING POSTDRAMATIC THEATRE PRACTICE PRECISION PRESENCE PROCESS RADIA TION RE-POLITICIZATION RESEARCH SITUATIONISM SOCIAL PRACTICE SOUND/SILENCE SPECTACLE STATURE STILLNESS
pp. 87 – 126
Pastoral
Paul Clarke
pp. 88 – 89
Performance Writing
John Hall
pp. 89 – 91
Phenomenology
Susan Kozel
pp. 91 – 94
Places / Non-Places
Peter Merriman
pp. 94 – 95
Postdramatic Performing
Karen Jürs-Munby
pp. 95 – 98
Postdramatic Theatre
Hans-Thies Lehmann
pp. 98 – 99
Practice
Susan Melrose
pp. 99 – 103
Presence
Gabriella Giannachi, Nick Kaye
pp. 103 – 105
Precision
Alison Knowles
pp. 103 – 103
Process
Alison Knowles
pp. 105 – 105
Radiation
Phillip Warnell
pp. 105 – 109
Re-Politicization
Marina Gržinić
pp. 109 – 110
Research
Ana Vujanović
pp. 110 – 111
Situationism
Carl Lavery
pp. 111 – 113
Social Practice
Shannon Jackson
pp. 113 – 118
Spectacle
Carl Lavery
pp. 118 – 121
Stature
Alison Knowles
pp. 121 – 121
Still
Antonia Payne
pp. 121 – 121
Streetscenes
pp. 123 – 126
T-Z: THEATRE OF THE VOID THEATRICAL ENERGIES TIME TRANSLATION TYRANNY VIEW VIRTUAL/VIRTUALITY VOICESCAPES WEARABLES WEATHER ZEAL
pp. 127 – 145
Theatre of the Void
pp. 128 – 129
Theatrical Energies
Freddie Rokem
pp. 129 – 131
Time
Alison Knowles
pp. 131 – 131
Translation
Lisa Lewis
pp. 132 – 134
Tyranny
Kevin Mount
pp. 134 – 136
View
Howard Hollands
pp. 136 – 136
Virtual / Virtuality
Susan Kozel
pp. 136 – 139
Voicescapes
Hazel Smith
pp. 139 – 140
Wearables
Johannes Birringer
pp. 140 – 141
Weather
David Williams
pp. 142 – 144
Zeal
Paul Zeal
pp. 144 – 145
Notes on Contributors
pp. 145 – 149
