{"id":695,"date":"2014-03-07T14:54:54","date_gmt":"2014-03-07T14:54:54","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=695"},"modified":"2015-11-09T12:59:23","modified_gmt":"2015-11-09T12:59:23","slug":"czech-theatre-review-1989-2009","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/czech-theatre-review-1989-2009\/","title":{"rendered":"Czech Theatre Review 1989-2009"},"content":{"rendered":"

Contains the following:<\/p>\n

Preface – Czech Theatre Review from 1989 up to the Present<\/p>\n

Magdalena Jackova
\nThe Mirror of Virtue, the Miracle of Eloquence, the Oracle of Wisdom. Jesuit Plays about St. Catherine of Alexandria (2008)<\/p>\n

Alice Dubska
\nThe Puppet Play ‘The Hudlice Fair’in the Context of 17th and 18th Centure Drama (1993)<\/p>\n

Pavla Peskova
\nThe Chateau Stages of hte Wallenstein Family in Bohemia and Moravia (2005)<\/p>\n

Eva Sormova
\n‘Hamlet’ 1926. hilar’s Production of ‘Hamlet’ in the Context of Interpretations of the Play (1990)<\/p>\n

Jana Patockova
\nOtomar Krejca: Theatre ad Politics (2001)<\/p>\n

Zdenek Horinek
\nThe Metaphorical Theatre of Fact. Some Comments on One Path Taken by Studio Ypsilon (1990)<\/p>\n

Jan Roubal
\nTwo Alternative Trends in Ivan Vyskocil’s Nedivadlo (1997)<\/p>\n

Vladimir Just
\nThe Language of Experanto. Dramatis Impersonae in the Plays of Vaclav Havel (2004)<\/p>\n

Vera Velemaova
\nTheatre Director Petr Lebl and Scenographer William Nowak: Two Men in One (2005)<\/p>\n

Jaroslav Etlik
\nTheatre as Experience. On the Relationship Between the Noetic and Ontological Principles in Theatre Art (1999)<\/p>\n\n\n