{"id":6408,"date":"2022-04-29T11:39:02","date_gmt":"2022-04-29T11:39:02","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=6408"},"modified":"2022-04-29T11:39:04","modified_gmt":"2022-04-29T11:39:04","slug":"26-3-on-perception","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/26-3-on-perception\/","title":{"rendered":"26.3 On Perception"},"content":{"rendered":"

\u2018On Perception\u2019 raises questions about the perceptual strategies and effects of performance and their implications. The authors are motivated by the potential of performance to affect artists\u2019 and audiences\u2019 perceptual range and to re-sensitize us to connections between environment, human (inter)action and creative thinking. Drawing on varied theories of perception and its embodiment, the included studies derive from the fields of virtual reality design, landscape design, audio walks, theatre, dance, music, performance art, and literature. Topics highlighted include the ethics of proprioceptive manipulation, auditory and embodied attunement, (dis)embodied perception, psychedelic perception, sensory resistance, perceptual deterritorialization, discursive perceptual framing and the perceptual generation of communal Indigenous or Black identities. These topics are examined as effects of performance praxis and spectatorship, dramaturgical strategies or performative theories. Together, they explore, move through and reach beyond bodily and discursive constraints of perception to produce relational connections and enable imagination.<\/p>\n

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READ THE EDITORIAL AND ARTICLE ABSTRACTS\u00a0online<\/a><\/strong><\/p>\n

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CONTENTS<\/p>\n

1\u00a0Editorial: On Perception<\/strong><\/p>\n

PIL HANSEN AND FREYA VASS<\/p>\n

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9\u00a0Into the Nebula: Embodied perception of scenography in virtual environments\u00a0<\/strong><\/p>\n

NEBOJ\u0160A TABA\u010cKI<\/p>\n

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17\u00a0Interoceptive Dramaturgies of \u2018Surrogate-selves\u2019 in Performative VR Experiences\u00a0<\/strong><\/p>\n

PIOTR WOYCICKI<\/p>\n

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27\u00a0Fracturing Patriarchal Objectivity through Electro- Pop: Purity Ring and the vicissitudes of sight\u00a0<\/strong><\/p>\n

PHILIP WATKINSON<\/p>\n

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31\u00a0Perceiving, Navigating and Inhabiting: Performance design through sonic strategies\u00a0<\/strong><\/p>\n

EDUARDO ABRANTES<\/p>\n

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39\u00a0The Dancer\u2013Drummer\u2013Drum Body: Expanding corporeal experiences through improvisation in black dance\u00a0<\/strong><\/p>\n

\u00c1GATHA SILVIA NOGUEIRA E OLIVEIRA<\/p>\n

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49\u00a0A Dramaturgy of Feeling: Exploring Indigenous concepts of knowing through multimodal aesthetics\u00a0<\/strong><\/p>\n

SUSANNE THUROW<\/p>\n

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59\u00a0Moving across the Terrain: Perceiving and performing the landscape\u00a0<\/strong><\/p>\n

RENNIE TANG<\/p>\n

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66\u00a0Dining in Prison: Sensory framing and performative perception in Rideout\u2019s Past Time\u00a0<\/strong><\/p>\n

PAUL GEARY<\/p>\n

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74\u00a0On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performance\u00a0<\/strong><\/p>\n

OLGA KRASA-RYABETS<\/p>\n

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80\u00a0Somatic Ways of Knowing: Fina Miralles\u2019 earliest practices of sensorial perception\u00a0<\/strong><\/p>\n

CELIA VARA<\/p>\n

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88\u00a0Tactile Attention in One-to-One Performance: The effects of touch on participant experience\u00a0<\/strong><\/p>\n

NATALIA ESLING<\/p>\n

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97\u00a0Dancers\u2019 Perceptual Skills: An ethnographic, cognitive and phenomenological study\u00a0<\/strong><\/p>\n

TOMASZ CIESIELSKI AND MAGDALENA SZMYTKE<\/p>\n

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106\u00a0Expanding Empathic and Perceptive Awareness: The experience of attunement in Contact Improvisation and Body Weather\u00a0<\/strong><\/p>\n

SARAH PINI AND CATHERINE DEANS<\/p>\n

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114\u00a0Psychedelic Perception in Queer-Feminist Reading and Writing (as Performance)\u00a0<\/strong><\/p>\n

DENI (DENISE) LI<\/p>\n

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REVIEWS<\/p>\n

125\u00a0Performing care on the borders of the self in Tactility Studies: Pandemic distances\u00a0<\/strong><\/p>\n

CORRIE TAN<\/p>\n

127\u00a0Intellectual responsibility and eco-aesthetic existentialism: Experimental kinetic dramaturgies from Flanders\u00a0<\/strong><\/p>\n

PETER M. BOENISCH<\/p>\n

128\u00a0The Vindication of Vocality in Occitan and Indigenous Oral Traditions\u00a0<\/strong><\/p>\n

JAIME MEIER<\/p>\n

130\u00a0\u2018Daily excursions across the heavens\u2019\u00a0<\/strong><\/p>\n

DANIELLE GOLDMAN<\/p>\n\n\n