{"id":605,"date":"2014-03-06T17:20:33","date_gmt":"2014-03-06T17:20:33","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=605"},"modified":"2016-01-12T11:29:38","modified_gmt":"2016-01-12T11:29:38","slug":"16-4-on-philosophy-participation","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/16-4-on-philosophy-participation\/","title":{"rendered":"16.4 On Philosophy & Participation"},"content":{"rendered":"

On Philosophy & Participation aims to instigate reflection and debate on the relationship between performance and philosophy from the perspective of the contested concept of \u2018participation\u2019. Through a combination of contributions from artists \u2013 such as Felix Barrett of Punchdrunk and Lone Twin \u2013 and scholars, the issue examines ways in which modes of participatory performance engage philosophical concepts and, vice versa, how various philosophical approaches to the theme of participation have engaged art and performance. Individual contributions, for example, foreground the shared concern with participation as a means to investigate the points of dialogue and dissonance between Merleau-Ponty and Felix Ruckert; Jean-Luc Nancy and Rimini Protokoll; Deleuze and Grotowski; Ranci\u00e8re and Boal; Adorno and Group Material, and much more.<\/p>\n

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Editorial
\nLaura Cull, Karoline Gritzner
\npp. 1 – 6
\nPractising Participation: A Conversation With Lone Twin
\nCarl Lavery, David Williams
\npp. 7 – 14
\nThe Arraignment Of Power: Augusto Boal And The Emergence Of The Radical Democratic Theatre Subject
\nTony Fisher
\npp. 15 – 26
\nChristoph Schlingensief And The Bad Spectacle
\nTheron Schmidt
\npp. 27 – 33
\nParadigms Of Participation: Wim Delvoye And Wafaa Bilal\u201a\u00c4\u00f4s Tattooing Performances
\nGabriella Calchi-Novati
\npp. 34 – 45
\nReaching Athens: Performing Participation And Community In Rimini Protokoll\u201a \u00c4\u00f4s Prometheus In Athens
\nMargherita Laera
\npp. 46 – 51
\nPlural Intimacy In Micropublic Performances
\nJon Sherman
\npp. 52 – 61
\nGeoperformativity: Becoming, Performance And The World
\nDavid Fancy
\npp. 62 – 72
\nHovering Between Being And Non-Being: Nishidian Interexpression And The Fluxkit
\nNatasha Lushetich
\npp. 73 – 79
\nAttention-Training: Immanence And Ontological Participation In Kaprow, Deleuze & Bergson
\nLaura Cull
\npp. 80 – 91
\nCultural Participation By Group Material: Between The Ontology And The History Of The Participatory Art Event
\nAdair Rounthwaite
\npp. 92 – 96
\nContagious Participation
\nChristopher Braddock
\npp. 97 – 108
\nForm And Formlessness: Participation At The Limit
\nKaroline Gritzner
\npp. 109 – 116
\nParticipation As Ecstasis: Walking Out On Our Bodies
\nEirini Nedelkopolou
\npp. 117 – 123
\nFrom Pseudo-Activity To Critique: Adorno, Philosophy, Participation
\nWill Daddario
\npp. 124 – 135
\nOn Participation In Art: A Conversation With Alexander Garc\u00eda D\u00fcttmann
\nKaroline Gritzner, Alexander Garc\u00eda D\u00fctmann
\npp. 136 – 140
\nNotes On Contributors
\npp. 141 – 142<\/p>\n\n\n