Sound has particular characteristics that can be exploited and explored artistically. However, even in the fields of music and sound art the act of listening and the role of the listener are ascribed far less attention than questions of artistic intention, execution, or sonic materiality. On Listening draws together perspectives from a range of fields, paying particular attention to manifestations of listening as a reflective process towards and in performance, as a performative act, and as an embodied process. The volume includes artists\u2019 pages and a related CD.<\/p>\n
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Editorial
\nCatherine Laws
\npp. 1 – 3
\nThe Journey of Sound through the Auditory System
\nLiminal
\npp. 4 – 5
\nPlato\u2019s Chamber of Secrets: On eavesdropping and truth(s)
\nMartin Iddon
\npp. 6 – 10
\nMusic for Lovers: Shared binaurality in a mobile sound installation
\nFlorian Hollerweger
\npp. 11 – 14
\nJust Listening at Caf\u00e9 Oto
\nTim White
\npp. 15 – 22
\nAuditorium [artist\u2019s pages]
\nChristof Migone
\npp. 23 – 28
\n(Re)marking Time in the Audition of Experimental Music
\nVirginia Anderson
\npp. 29 – 35
\nThe Horizon of Sound: Soliciting the earwitness
\nDeirdre (Dee) Heddon
\npp. 36 – 42
\nListening Glasses [artist\u2019s pages]
\nDawn Scarfe
\npp. 43 – 46
\nListening-as-Touch: Paying attention to Rosemary Lee\u2019s Common Dance
\nMartin Welton
\npp. 47 – 54
\nListening to the Body\u2019s Excitations
\nMichaela Reiser
\npp. 55 – 59
\nListening Inside Out: Notes on an embodied analysis
\nStacey Sewell
\npp. 60 – 65
\nOn Listening to Installation
\nTom Davis
\npp. 66 – 71
\nTexturen: Multiple, 2008 [artist\u2019s pages]
\nGerhard Eckel
\npp. 72 – 73
\nQueer Listening to Queer Vocal Timbres
\nYvon Bonenfant
\npp. 74 – 80
\nEnactment in Listening: Intermedial dance in EGM sonic scenarios and the Listening Body
\nDeniz Peters
\npp. 81 – 87
\nThe Listener\u2019s Response
\nPieter Verstraerte
\npp. 88 – 94
\nThe Cochlea Unwound: A case study for a listening aid using a sonic crystal array
\nDavid Prior
\npp. 95 – 102
\nGlenn Gould and the New Listener
\nBarry Mauer
\npp. 103 – 108
\nTo See versus To Believe: A conversation on listening
\nChiara Guidi, Silvia Bottiroli
\npp. 109 – 114
\nResonant Listening
\nAnthony Gritten
\npp. 115 – 122
\nNotes on Contributors
\npp. 124 – 125
\nCD Contents
\npp. 126 – 128<\/p>\n\n\n