{"id":5643,"date":"2020-04-01T13:55:01","date_gmt":"2020-04-01T13:55:01","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=5643"},"modified":"2020-05-20T15:09:02","modified_gmt":"2020-05-20T15:09:02","slug":"24-7-on-disappearance","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/24-7-on-disappearance\/","title":{"rendered":"24.7 On Disappearance"},"content":{"rendered":"

In these days in which existence is akin to making us visible and we have proneness to mediatized exposure, global unrest gives evidence of how we have condemned our senses to the obvious, noisy and tumultuous. The sovereignty we have granted to the visible is indicative of our ineptitude to respect our lives, account for our history and dismantle Anthropocentrism. It is precisely in this conflicting state of affairs that disappearance emerges as an alternative approach to put critical pressure on the construction of life, as it defies the visual, continuous and iterative forms of representation. Disappearance and its paradoxical manifestations\u2014voluntary or forced\u2014touch off delicate and thoughtful dramaturgies of the isolated, hidden or unconnected. Through its always fragmented and elusive stories and actions, a process of shared \u2018attunement\u2019 emerges, providing healing scenarios of dissent. This\u00a0Performance Research<\/em>\u00a0issue brings together international scholars and artists who explore the fragilities of disappearance by acknowledging the effects of our daily \u2018performance\u2019 through essays,\u00a0intimate scenes and provocations.<\/p>\n

CONTENTS:<\/p>\n

Introduction<\/strong>
\nEsther Belvis Pons<\/p>\n

Presence and Disappearance<\/strong>
\nJos\u00e9 A. Sanchez<\/p>\n

Landscapes of Disappearance<\/strong>
\nEdwin Culp<\/p>\n

Erasing, Obfuscating and Teasing out from the Shadows\u2009: Performing\/installing the camps\u2019 (in)visibilities<\/strong>
\nBeth Weinstein<\/p>\n

Disappearing Dance, Dancing Disappearance\u2009: On Arkadi Zaides\u2019s choreography Archive<\/strong>
\nKrassimira Kruschkova<\/p>\n

Diffracting Histories of Performance\u2009: Participatory practices in the historicization of political performance art<\/strong>
\nH\u00e9lia Mar\u00e7al<\/p>\n

To Dress Up in the Other\u2019s Skin\u2009: Presence, absence and intersubjectivity<\/strong>
\nMaite Garbayo-Maetzu<\/p>\n

\u00bfD\u00f3nde est\u00e1 Bruno?\/Where is Bruno?\u2009: Lukas Avenda\u00f1o\u2019s autobiography as a political act<\/strong>
\nAlejo Medina<\/p>\n

Unexpected Witnesses\u2009: An artistic practice from a \u2018plurality of ways of knowing\u2019 surrounding political disappearance<\/strong>
\nLivia Daza-Paris<\/p>\n

Testimony of Corporal Print and Traceable Sediments after El puro lugar<\/strong>
\nGeraldine Lamadrid Guerrero<\/p>\n

Constructing Genealogies of Disobedient Performance\u2009: Disappearance by\/in the media<\/strong>
\nAnita E. Cherian, Gargi Bharadwaj<\/p>\n

Invisible Nature in the Case of Maud Allan<\/strong>
\nHelen Murphy<\/p>\n

Seeping Out\u2009: The diminishment of the subject in Hito Steyerl\u2019s How Not to Be Seen<\/strong>
\nSebastian Althoff<\/p>\n

Documenting Disappearance\u2009: A day in the \u2018research laboratory\u2019 of Iona and Peter Opie<\/strong>
\nMichael Eades<\/p>\n

Fugitive Dance\u2009: Counter-censorship strategies for a disappearing future<\/strong>
\nIgnacio de Antonio Ant\u00f3n<\/p>\n

Art Museums and Audibility\u2009: Invisible action and acoustic reporting in Lawrence Abu Hamdan\u2019s Earwitness Theatre (2018)<\/strong>
\nGeorgina Guy<\/p>\n

Ssssssssssssilence<\/strong>
\nIxiar Rozas Elizalde<\/p>\n

Bodies Reappear as Action\u2009: On synthetic voices in performance<\/strong>
\nJaume Ferrete-V\u00e1zquez<\/p>\n

\u2018Indirect Modes\u2019 of Theatre\u2009: Intervals of the presence in Teatro Ojo\u2019s Deus Ex Machina<\/strong>
\nRodrigo Parrini, Patricio Villarreal \u00c1vila<\/p>\n

From the Sublime to the Ridiculous\u2009: Extinction in the work of Marcus Coates<\/strong>
\nSarah Wade<\/p>\n

Hydroponic Hovering\u2009: A speculative narrative of sustainability and the human relationship with the ground<\/strong>
\nAsli Uludag<\/p>\n

Scattered Democratization\u2009: Performance in the times of disappearance of attention<\/strong>
\nJelena Vesi\u0107<\/p>\n

Dancing Writing (artists\u2019 pages)<\/strong>
\nSaz & Dunna<\/p>\n

The Image of the Ghost (artists\u2019 pages)<\/strong>
\nGreen & Owens<\/p>\n\n\n