This issue, in a volume that explores the terms under which performance is debated, discussed, conducted, written about and constructed, focuses on the uses of digital resources. Drawing its material from current critical and practice-based research employed by artists and scholars working with performance in the arts and humanities, the issue will provide a constellation of work that furthers the debate on the influence of digital media on the generation of scholarly and practice-based research, and asks how digital resources have changed ways of working. The issue and its DVD supplement will be compiled and edited in association with the 2006 Digital Resources in the Humanities and Arts (DRHA) conference and will include contributions from N. Katherine Hayles, Roy Ascott, and Stelarc among others.”<\/p>\n
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Editorial
\nRic Allsopp, Scott deLahunta
\npp. 1 – 4
\nDigital Resources DVD: Contents
\nRevealing and Transforming: How literature revalues computational practice
\nN. Katherine Hayles
\npp. 5 – 16
\nNature and Cyberspace: A deep slow aggregation over time
\nSue Thomas
\npp. 17 – 22
\nGeneric Versus Idiosyncratic Expression in Live Performance Using Digital Tools
\nSally Jane Norman
\npp. 23 – 29
\nWill.o.wisp (‘willow-wisp’)
\nKirk Woolford
\npp. 30 – 38
\nTechnoetic Territories
\nRoy Ascott
\npp. 39 – 40
\nThe Emergent Dress: Transformation and intimacy in streaming media and fashion performance
\nJohannes Birringer, Mich\u00e8le Danjoux
\npp. 41 – 52
\nConstructing Memories: Creation of the choreographic resource
\nScott deLahunta, Norah Zuniga Shaw
\npp. 53 – 62
\nStill Life in Motion: The performance of time in video painting
\nChristin Bolewski
\npp. 63 – 66
\nUncanny Interactions
\nSteve Dixon
\npp. 67 – 75
\nMotion Tracking in TAG
\nPeter Bowcott, Low Brow Trash
\npp. 76 – 80
\nBearers of the Flame’: Music, dance, design, and lighting, real and virtual – the enlightened and still luminous legacies of Hellerau and Dartington
\nRichard Beacham
\npp. 81 – 94
\nNew Media and Historical Narrative: 1884 Japan
\nStefan Tanaka
\npp. 95 – 104
\nPractice-as-Research and the Problem of Knowledge
\nRobin Nelson
\npp. 105 – 116
\nMulti-disciplinary Perspectives on the British Library’s Archival Sound Recording’s Project
\nPhilip Butler, Rachel Cowgill, Celia Duffy
\npp. 117 – 126
\nData_Cosm
\nMichael Takeo Magruder
\npp. 127 – 128
\nBiotechnology as Mediality: Strategies of organic media art
\nJens Hauser
\npp. 129 – 136
\nDigital Practices: An aesthetic and neuroesthetic approach to virtuality and embodiment
\nSusan Broadhurst
\npp. 137 – 147
\nDay of the Figurines
\n(Matt Adams) Blast Theory, Scott deLahunta
\npp. 148 – 151
\nSWAP Project Presentation
\nRudolph Quintas, Tiago Dion\u00edsio
\npp. 152 – 154
\nNotes on Contributors
\npp. 155 – 157<\/p>\n\n\n