{"id":560,"date":"2014-03-06T15:55:02","date_gmt":"2014-03-06T15:55:02","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=560"},"modified":"2016-01-12T11:21:56","modified_gmt":"2016-01-12T11:21:56","slug":"11-3-a-lexicon","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/11-3-a-lexicon\/","title":{"rendered":"11.3 A Lexicon"},"content":{"rendered":"

This issue will survey the way words, vocabularies and discourses are changing, through attending to terms that are contested or in flux, and that in their current usage signify some of the preoccupations of the artistic, political and intellectual cultures of which they are a key part. A Lexicon consists of key terms and concepts from practitioners, theorists and activists currently working in the field of contemporary performance arts and research. Its contents will include polemic and manifesto as well as analysis and reflection, and take the form of dictionary-style entries, letters to readers, images and sets of instructions.<\/p>\n

A-F: ACTING AIR\/SPACE ANTHROPOMUNDIC ARCHITEXTURES ARTAUDIAN AUDIENCE AUTOGRAPHY AUTO-REFERENTIAL READING AVANT-GARDE BALANCE BLOOD CHANCE CHOROGRAPHY CINEMA CINEMATIC IMAGERY COMMUNICATION COMMUNITY CONTINGENCY DANCE DEMOCRACY DEVELOP\/DECAY DIALOGUE DIGI
\npp. 1 – 60
\nActing
\nStephen Bottoms
\npp. 2 – 2
\nAnthropomundic
\nPeter Hulton
\npp. 2 – 4
\nAir\/Space
\nAlison Knowles
\npp. 2 – 2
\nArchitextures
\nJohannes Schr\u00f6der, Norbert Wilting
\npp. 4 – 5
\nArtaudian
\nJohn Stokes
\npp. 6 – 7
\nAudience
\nMatthew Reason
\npp. 7 – 10
\nAutography
\nPaul Zeal
\npp. 11 – 12
\nAuto Referential Reading
\nIvana Sajko
\npp. 12 – 14
\nAvant Garde
\nG\u00fcnter Berghaus
\npp. 14 – 16
\nBalance
\nAlison Knowles
\npp. 16 – 16
\nBlood
\nAntonia Payne
\npp. 16 – 18
\nChance
\nAlison Knowles
\npp. 18 – 18
\nCharacter\/Personality
\nAlison Knowles
\npp. 18 – 18
\nChoreography
\nMike Pearson
\npp. 18 – 20
\nCinema
\nJan Ritsema
\npp. 20 – 22
\nCinematic Imaginary
\nJohn Downie
\npp. 22 – 23
\nCommunication
\nRudi Laermans
\npp. 23 – 25
\nCommunity
\npp. 25 – 29
\nContingency
\nAnna Schober
\npp. 29 – 33
\nDance
\nFranz Anton Cramer
\npp. 33 – 37
\nDemocracy
\nPaul Rae
\npp. 37 – 40
\nDevelop \/ Decay
\nAlison Knowles
\npp. 40 – 40
\nDialogue
\nPatrice Pavis
\npp. 40 – 42
\nDigital Performance
\nJohannes Birringer
\npp. 42 – 45
\nDissemination
\nRic Allsopp
\npp. 45 – 46
\nDistribution
\nAntonia Payne
\npp. 47 – 49
\nDys-Embodiment \/ Corporeal Literacy
\nMaaike Bleeker
\npp. 49 – 51
\nDuration
\nAlison Knowles
\npp. 49 – 49
\nEthics
\nMichal Kobialka
\npp. 51 – 53
\nFakelore
\nPaul Clarke
\npp. 53 – 55
\nFestivals
\nAntonia Payne
\npp. 56 – 57
\nFootnote Dramaturgy
\nGoran Sergej Prista\u0161
\npp. 57 – 58
\nFriendship
\nLone Twin
\npp. 58 – 59
\nG-O: GESTURE GHOST GROUND IMAGE IMMATERIAL PERFORMANCE INTERACTIVE IMPRESSIONS INTERACTION INTUITION IT LANGUOR LINE LYING AND SYNCOPE NOISESPEECH OPEN WORK ORDINARY\/EXTRAORDINARY
\npp. 61 – 86
\nGhost
\nMartin Hargreaves
\npp. 62 – 64
\nGesture
\nRudi Laermans
\npp. 62 – 62
\nGround
\nMark Leahy
\npp. 64 – 65
\nHazard
\nRic Allsopp, Richard Gough
\npp. 65 – 66
\nImage
\nMichal Kobialka
\npp. 67 – 68
\nImmaterial Performance
\nM\u00e5rten Sp\u00e5ngberg
\npp. 68 – 69
\nImpressions
\nEleanor Bowen
\npp. 69 – 71
\nInteraction
\nAlison Knowles
\npp. 71 – 71
\nInteractive
\nSusan Kozel
\npp. 71 – 75
\nIntuition
\nSally Mackey
\npp. 75 – 78
\nIt
\npp. 78 – 79
\nLanguor
\nSimon Critchley
\npp. 79 – 80
\nLine
\nEleanor Bowen
\npp. 80 – 82
\nLight
\nAlison Knowles
\npp. 80 – 80
\nLying and Syncope
\nFiona Wright
\npp. 82 – 85
\nNoisespeech
\nFreya Bailes
\npp. 85 – 86
\nOrdinary \/ Extraordinary
\nAlison Knowles
\npp. 86 – 86
\nOpen Work
\nAna Vujanovi\u0107
\npp. 86 – 86
\nP-S: PASTORAL PERFORMANCE WRITING PHENOMENOLOGY PLACES\/NON PLACES POSTDRAMATIC PERFORMING POSTDRAMATIC THEATRE PRACTICE PRECISION PRESENCE PROCESS RADIA TION RE-POLITICIZATION RESEARCH SITUATIONISM SOCIAL PRACTICE SOUND\/SILENCE SPECTACLE STATURE STILLNESS
\npp. 87 – 126
\nPastoral
\nPaul Clarke
\npp. 88 – 89
\nPerformance Writing
\nJohn Hall
\npp. 89 – 91
\nPhenomenology
\nSusan Kozel
\npp. 91 – 94
\nPlaces \/ Non-Places
\nPeter Merriman
\npp. 94 – 95
\nPostdramatic Performing
\nKaren J\u00fcrs-Munby
\npp. 95 – 98
\nPostdramatic Theatre
\nHans-Thies Lehmann
\npp. 98 – 99
\nPractice
\nSusan Melrose
\npp. 99 – 103
\nPresence
\nGabriella Giannachi, Nick Kaye
\npp. 103 – 105
\nPrecision
\nAlison Knowles
\npp. 103 – 103
\nProcess
\nAlison Knowles
\npp. 105 – 105
\nRadiation
\nPhillip Warnell
\npp. 105 – 109
\nRe-Politicization
\nMarina Gr\u017eini\u0107
\npp. 109 – 110
\nResearch
\nAna Vujanovi\u0107
\npp. 110 – 111
\nSituationism
\nCarl Lavery
\npp. 111 – 113
\nSocial Practice
\nShannon Jackson
\npp. 113 – 118
\nSpectacle
\nCarl Lavery
\npp. 118 – 121
\nStature
\nAlison Knowles
\npp. 121 – 121
\nStill
\nAntonia Payne
\npp. 121 – 121
\nStreetscenes
\npp. 123 – 126
\nT-Z: THEATRE OF THE VOID THEATRICAL ENERGIES TIME TRANSLATION TYRANNY VIEW VIRTUAL\/VIRTUALITY VOICESCAPES WEARABLES WEATHER ZEAL
\npp. 127 – 145
\nTheatre of the Void
\npp. 128 – 129
\nTheatrical Energies
\nFreddie Rokem
\npp. 129 – 131
\nTime
\nAlison Knowles
\npp. 131 – 131
\nTranslation
\nLisa Lewis
\npp. 132 – 134
\nTyranny
\nKevin Mount
\npp. 134 – 136
\nView
\nHoward Hollands
\npp. 136 – 136
\nVirtual \/ Virtuality
\nSusan Kozel
\npp. 136 – 139
\nVoicescapes
\nHazel Smith
\npp. 139 – 140
\nWearables
\nJohannes Birringer
\npp. 140 – 141
\nWeather
\nDavid Williams
\npp. 142 – 144
\nZeal
\nPaul Zeal
\npp. 144 – 145
\nNotes on Contributors
\npp. 145 – 149<\/p>\n\n\n