Correspondence will be the first issue of Performance Research, Vol. 9, 2004, which explores a theme of transaction, transmission and exchange \u2013 between performance and its sites and contexts, between performance and its histories, between performance and its agencies in four related issues: Correspondence, On the Page, Generations and On Shame. Correspondence is an issue in which we are inviting writers and artists to contribute \u2018correspondence\u2019 with artists living and dead. It might be taken to imply channels and forms of communication \u2013 both live and written \u2013 but also the correspondences and associations between kinds of work, eras, experiences and lives. It might include reference to the clairvoyant, the uncanny, the coincidental, to parallel lives, or parallel circumstances.<\/p>\n
<\/p>\n
Editorial: Forms of Address
\nClaire MacDonald
\npp. 1 – 2
\nLife Lines [artist’s pages]
\nSophia New
\npp. 3
\nShe came and did it and went and I came and people are coming: Gertrude Stein wrote
\nYvon Bonenfant
\npp. 6 – 10
\nA Triangle of Thought: Side one
\nCraig Higginson, Joanna Laurens, Caridad Svich
\npp. 11 – 17
\nA Letter to Peter Br\u00f6tzmann
\nMike Pearson
\npp. 18 – 19
\nThe Fall of Babble: An ontogenesic experiment on the fragmentation of language
\nT. Nikki Cesare
\npp. 20 – 37
\nLife Lines [artist’s pages]
\nSophia New
\npp. 36
\nThe Internet’s Underware
\nCraig Saper
\npp. 38 – 42
\nXipe Totec Wears the Skin of Artaud [artist’s pages]
\nEhren Fordyce
\npp. 43 – 45
\nSpecular Correspondence
\nTina Takemoto
\npp. 46 – 56
\nTen Dream Drawings (2001) [artist’s pages]
\nBarbara Neri
\npp. 57 – 59
\nLast Laughs
\nAdrian Heathfield
\npp. 60 – 66
\nA Triangle of Thought: Side two
\nCraig Higginson, Joanna Laurens, Caridad Svich
\npp. 67 – 75
\nLife Lines [artist’s pages]
\nSophia New
\npp. 74
\nA Triangle of Thought: Side three
\nCraig Higginson, Joanna Laurens, Caridad Svich
\npp. 76 – 80
\nSehr Geehrter Herr Schlemmer\u2026 A letter to Oskar Schlemmer occasioned by a performance of the Bauhaust\u00e4nze at the Dessau Bauhaus 1928
\nMelissa Trimingham
\npp. 81 – 98
\nCorrespondence Course 1980-83 [artist’s pages]
\nCarolee Schneemann
\npp. 99 – 106
\nPerformance Review: The Passion of Proceduralism
\nBojana Cveji\u0107
\npp. 107 – 111
\nLife Lines [artist’s pages]
\nSophia New
\npp. 112
\nPerformance Review: The Gesture Speaks
\nLori Ortiz
\npp. 112 – 114
\nNotes on Contributors
\npp. 117 – 118<\/p>\n\n\n