{"id":548,"date":"2014-03-06T15:30:54","date_gmt":"2014-03-06T15:30:54","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=548"},"modified":"2016-01-12T11:15:07","modified_gmt":"2016-01-12T11:15:07","slug":"8-4-moving-bodies","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/8-4-moving-bodies\/","title":{"rendered":"8.4 Moving Bodies"},"content":{"rendered":"

Moving Bodies will be the final issue of a volume which explores the body and the senses in performance. Developing the practices and ideas addressed in Bodiescapes \u2013 which investigates the bodies of the performer and the spectator in, around and at performance \u2013 Moving Bodies will direct its focus towards the field of dance and choreography, and investigate actions, strategies and contexts of bodies in movement. The editors have invited contributions on the practices and technologies of moving bodies including improvising bodies, de-objectified bodies, spatialized bodies, resistant bodies, \u2018bodies without organs\u2019, still bodies and absent bodies. The issue will also consider practices and technologies that destabilize received modalities and economies of seeing as knowing, that amplify the sensorium and displace the visibility of dance and its locations; as well as the circuits and flows by means of which dance activities encounter other bodies.
\nEditorial
\nDavid Williams, Ric Allsopp
\npp. 1 – 3
\nConversations on Choreography [artist’s pages]
\nScott deLahunta, Isabelle Ginot, Myriam van Imschoot
\n\u00dcber allen Gipfeln is K\u00e4nguruh [artist’s pages]
\nHans-Peter Litscher
\npp. 4 – 5
\nChoreomanias: Movements through our body
\nStephen Muecke
\npp. 6 – 10
\nHong Kong In-corporated: Falun Gong and the choreography of stillness
\nSanSan Kwan
\npp. 11 – 20
\nFurious Bodies, Enthusiastic Bodies: On the work of Wim Vandekeybus
\nAlena Alexandrovna
\npp. 21 – 25
\nTrembling in the Archive [artist’s pages]
\nKarmenlara B. Seidman
\npp. 26 – 32
\nElectrONic Bodies: Corpo-realities in contemporary dance performance
\nPeter M. Boenisch
\npp. 33 – 41
\nMaking a Point of Inflection [artist’s pages]
\nBernie Lubell
\npp. 42 – 45
\nTouching Light
\nElizabeth Dempster
\npp. 46 – 51
\nHabitat [artist’s pages]
\nBrigid McLeer
\npp. 52 – 53
\nTracing Bodies: Researching psychophysical training for performance through practice
\nRebecca Loukes
\npp. 54 – 60
\nPPP (Project = Process = Product): A letter to the participants of Xavier Le Roy’s Project
\nPirkko Husemann
\npp. 71 – 76
\nDescribing Dance, Inscribing Biography: Or, how personal can ballet be?
\nFranz Anton Cramer
\npp. 77 – 83
\nHappy Together: Moving toward multiplicity
\nErin Manning
\npp. 84 – 89
\nHabitat [artist’s pages]
\nBrigid McLeer
\npp. 90 – 91
\nEyes in Movement
\nJos\u00e9 A. Sanchez
\npp. 92 – 99
\nInterfacing as a Practice of Performance and Discourse: Bilderwerfer’s Bloody Drops of Happiness
\nPeter Stamer
\npp. 100 – 106
\nOn Being Moved by Performance
\nAnna Fenmore
\npp. 107 – 114
\nDance Till Your Heart’s Desired
\nLinda Marie Walker
\npp. 115 – 125
\nMoved by the Wind [artist’s pages]
\nAnnette Arlander
\npp. 126 – 129
\nA Moving Meditation on a Dead Line
\nTracey Warr
\npp. 130 – 136
\nBook Review: A List is a Good Place to Begin
\nRachel Fensham
\npp. 137 – 138
\nHabitat [artist’s pages]
\nBrigid McLeer
\npp. 139
\nNotes on Contributors
\npp. 140 – 142<\/p>\n\n\n