{"id":545,"date":"2014-03-06T15:25:33","date_gmt":"2014-03-06T15:25:33","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=545"},"modified":"2016-01-12T11:14:21","modified_gmt":"2016-01-12T11:14:21","slug":"8-1-voices","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/8-1-voices\/","title":{"rendered":"8.1 Voices"},"content":{"rendered":"

Voices will be the opening issue of a new volume (PR Vol.8, Nos 1\u20134, 2003) dealing with the body and the senses in performance. The subsequent issues will be Bodiescapes, On Smell and Moving Bodies. Voices will consider \u2018voice\u2019 in as wide a range of contexts and manifestations as possible \u2013 both real voices and metaphorical voices, the politics of the voice and the history of the voice, the nature of sound and its absence. \u2018Voices\u2019 will explore the relationship between the sonic and the textual, between listening and reading and between eye and ear. Work on sound poetry, on the history of the voice, on music, on sound-art and its possible relationship to the inscribed and printed page as well as considerations of the voice across the performance and visual arts will be included in the issue. The editors are interested in visual and textual work that makes use of the resources of the page, and in work that may use several versions of a text.
\nEditorial: In Viva Voce
\nClaire MacDonald
\npp. 1 – 4
\nVoicing Joyce: Crossmesss parzels from Cage to Beuys
\nChris Thompson
\npp. 5 – 22
\nGreat Bass: Undertones of continuous influence
\nMargaret Fisher
\npp. 23 – 40
\nFiguring Out the Voice: Object, subject, project – performing strategies in the use of extended voice range techniques in relation to language and texts
\nEnrique Pardo
\npp. 41 – 50
\nNaked Samoans: Pacific island voices in the theatre of Aotearoa\/New Zealand
\nDavid O’Donnell, Bronwyn Tweddle
\npp. 51 – 60
\nA Theatre of Multiple Voices: Works of Einar Schleef, Christoph Marthaler and Ren\u00e9 Pollesch
\nPatrick Primavesi
\npp. 61 – 73
\nVoice, writing, noise\u2026 OR is Herod Balinese?
\nSimon Shepherd
\npp. 74 – 82
\nWandering and Wondering: Following Janet Cardiff’s missing voice
\nSarah Gorman
\npp. 83 – 92
\nBraiding Polyphony: Je tu il elle & lui
\nLynn Turner
\npp. 93 – 99
\nVoice of Contraction: Melodrama, star system, and a Turkish female star’s excessive response to the patriarchal order
\n\u00c7etin Sarikartal
\npp. 100 – 111
\nVoicescapes and Sonic Structures in the Creation of Sound Technodrama
\nHazel Smith, Roger T. Dean
\npp. 112 – 123
\nPerformance Review: The Theatre of Spectacle
\nJudy Kendall
\npp. 125 – 127
\nBook Review: Educating the Ear to Sonic Textures
\nSarah Parry
\npp. 128 – 132
\nBook Review: An Authentic Ferocity
\nJuliet Fleming
\npp. 132 – 134
\nBook Review: Contingency and Theatricality in Performance
\n\u00c7etin Sarikartal
\npp. 135 – 140
\nNotes on Contributors
\npp. 141 – 142<\/p>\n\n\n