{"id":543,"date":"2014-03-06T15:22:34","date_gmt":"2014-03-06T15:22:34","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=543"},"modified":"2016-01-12T11:13:34","modified_gmt":"2016-01-12T11:13:34","slug":"7-3-on-fluxus","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/7-3-on-fluxus\/","title":{"rendered":"7.3 On Fluxus"},"content":{"rendered":"

To mark the 40th anniversary of the first Fluxus festival in Wiesbaden, Germany, and the 30th anniversary of Fluxshoe which toured England with a series of performances, concerts, and exhibitions (1972\u20133), On Fluxus will continue the volume theme of \u2018textualities, scores and documents\u2019 and focus on the relationship of writing and textuality to Fluxus. Fluxus was an international community of artists, architects, designers, and composers described as \u2018the most radical and experimental art movement of the 1960s\u2019. As a laboratory of experimental art, Fluxus was the first locus of intermedia, concept art, events, and video, and a central influence on performance art, arte povera, and mail art. The issue will be guest edited by Ken Friedman, an active participant in Fluxus, as an artist since 1966, as director of Fluxus West for a decade, and as editor of The Fluxus Reader (1997); and Owen Smith, an art historian and curator specializing in intermedia and multimedia art forms, and author of Fluxus: History of an Attitude (1998).
\nEditorial: In Two Voices
\nOwen Smith
\npp. 1 – 2
\nAvant-gardism and the Fluxus Project: A failed utopia or the success of invisibility?
\nOwen Smith
\npp. 3 – 12
\nThe Enduring Freedoms [artist’s pages]
\nthings not worth keeping
\npp. 13 – 14
\nSilence and Savant-garde: Beuys, Fluxus, Duchamp
\nChris Thompson
\npp. 15 – 25
\nFlux Photos [artist’s pages]
\nLisa Kahane
\npp. 26 – 29
\nMANRESA: Autobiography as method\u2026
\nClaudia Wegener
\npp. 30 – 46
\nReading Between the Lines: Word as conceptual project
\nBrandon LaBelle
\npp. 47 – 54
\nThe Enduring Freedoms [artist’s pages]
\nthings not worth keeping
\npp. 54
\nFluxus and Advertising in the late 1960s\u2026 and Now
\nKevin Concannon
\npp. 55 – 63
\nFluxus Periodicals: Constructing a conceptual country
\nStephen Perkins
\npp. 64 – 76
\nThe Enduring Freedoms [artist’s pages]
\nthings not worth keeping
\npp. 77
\nOrigins of Fluxus Score: From indeterminacy to the ‘do-it-yourself’ artwork
\nAnna Dezeuze
\npp. 78 – 94
\nFluxus Performance Workbook – a Selection [artist’s pages]
\nKevin Mount
\npp. 95 – 109
\nThe Brechtian Event Score: A structure in fluxus
\nJulia E. Robinson
\npp. 110 – 123
\nWorking with Event Scores: A personal history
\nKen Friedman
\npp. 124 – 128
\nBook Review
\n\u00c7etin Sarikartal
\npp. 129 – 134
\nArchive Review
\nAdrian Glew
\npp. 135 – 138
\nThe Enduring Freedoms [artist’s pages]
\nthings not worth keeping
\npp. 139
\nNotes on Contributors
\npp. 141 – 142<\/p>\n\n\n