{"id":541,"date":"2014-03-06T15:19:18","date_gmt":"2014-03-06T15:19:18","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=541"},"modified":"2016-01-12T11:13:02","modified_gmt":"2016-01-12T11:13:02","slug":"7-1-on-editing","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/7-1-on-editing\/","title":{"rendered":"7.1 On Editing"},"content":{"rendered":"

On Editing opens a volume on \u2018Textualities\u2019 (PR, Vol. 7, Nos 1\u20134, 2002) which considers the changing nature of performance texts and relations between writing, textuality and performance, in four related issues: On Editing, Translations, On Fluxus, and On Archives and Archiving. This issue will address the relationship between performance and publication, as well as the ways in which the traditionally invisible role of editor has changed. Contributions might look at the part played by editors in bringing performance to print, and at how editing might be related to other mediating and shaping roles \u2013 such as curating or dramaturgy. The place of editing in the work of artists themselves; the changing nature of the printed book; the future of editing in the new technologies; particular instances or case studies of editing; and the relation of the textual, aural and visual, might all be subjects for consideration. The editors also invite collaborations between artists and critics, as well as work that extends the possibilities of the visual page, or that situates critical work within a visual context.
\nEnter Editor
\nClaire MacDonald, Bill Sherman
\npp. 1 – 2
\nLexicon (1): Alphabetical Order, Arbitrariness, Archive
\nDemosthenes Agrafiotis, Tim Etchells, Matthew G. Kirschenbaum
\npp. 3 – 6
\nHyper-Shakespeare
\nW. B. Worthen
\npp. 7 – 21
\nLexicon (2): Conjecture, Digital Texts
\nKari Kraus, Jerome McGann
\npp. 22 – 23
\nThe Inaudibility of ‘Good’ Sound Editing: The case of Caedmon records
\nSarah Parry
\npp. 24 – 33
\nPrivate Performances: Editing performance photography
\nCatherine Grant
\npp. 34 – 44
\nDisinter\/est: Digging up our childhood
\nJoshua Sofaer, Joanna Sofaer Derevenski
\npp. 45 – 56
\nCutting It Up: Fragments and ruins in Julia Barclay’s New York Theatre
\nCathy Turner
\npp. 57 – 63
\nLexicon (3): Emendation and History
\nStephen Orgel
\npp. 64 – 65
\nActions that a man might play’: Mourning, memory, editing
\nLaurie Maguire
\npp. 66 – 76
\nLexicon (4): Et al,. Excavation
\nPeter Hulme, Fiona Templeton
\npp. 77 – 77
\nCrafting Madness: A correspondence on editing The Booth Variations
\nTodd Cerveris, Caridad Svich
\npp. 78 – 89
\nThe Page Refigured: The verbal and visual language of Suzan-Lori Park’s Venus
\nElizabeth Dyrud Lyman
\npp. 90 – 100
\nLexicon (5): Graphesis, Index Cards
\nJohanna Drucker, Philip Auslander
\npp. 101 – 102
\nEditing as Intervention in Social Space
\nMark W. Rectanus
\npp. 103 – 120
\nArchives: Pinto Mi Raya: Drawing the line in Mexico City
\nM\u00f3nica Mayer
\npp. 121 – 128
\nLexicon (6): Scattered Leaves
\nDavid Norbrook
\npp. 129 – 129
\nBook Reviews
\nMatthew G. Kirschenbaum, Claire MacDonald, Bill Sherman
\npp. 130 – 138
\nLexicon (7): Scratch
\nWilliam H. Sherman
\npp. 139 – 140
\nNotes on Contributors
\npp. 141 – 142<\/p>\n\n\n