{"id":539,"date":"2014-03-06T15:15:36","date_gmt":"2014-03-06T15:15:36","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=539"},"modified":"2016-01-12T11:11:48","modified_gmt":"2016-01-12T11:11:48","slug":"6-2-on-maps-and-mapping","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/6-2-on-maps-and-mapping\/","title":{"rendered":"6.2 On Maps and Mapping"},"content":{"rendered":"

Embarking from 6(1) \u2018Departures\u2019 and arriving at 6(3) \u2018On Navigation\u2019 this issue will pursue our itinerant theme for our sixth year of publication. On Maps and Mapping will reconsider the broad term of \u2018maps\u2019 and will explore the relationship between material reality and representation; developing acts of visualizing and conceptualizing, of graphically registering and staging new correspondences. The issue will encourage new approaches to cartography, new ways of mapping and new territories to survey giving rise to new projections, references, voyages and sojourns. These will include personal mappings on and of the human body; professional mappings, charting the development of an artist or recording the impact of a company\/movement and its resultant diaspora; fabulous mappings, proposing new and undiscovered terrain, and speculating on what might be the compass and grid of our performance world.
\nEditorial: On Maps and Mapping
\nRichard Gough
\npp. 1 – 3
\n(Re)marking the Overlooked or Stanislavski’s Napkin
\nSusan Melrose
\npp. 4 – 19
\nSet Map Slip = Palimpsest (working title)
\nRobin Nelson
\npp. 20 – 29
\nMy Life in Hackney [artist’s pages]
\nMary Lemley
\npp. 30
\nYou can’t tell by looking\u2026’
\nMike Pearson, William Yang
\npp. 31 – 42
\nMy Life in Hackney [artist’s pages]
\nMary Lemley
\npp. 39
\nReigning Territorial Plains – Blast Theory’s ‘Desert Rain’
\nRachel Clarke
\npp. 43 – 50
\nThe Library of Maps [artist’s pages]
\nMoira Roth
\npp. 51
\nThe Longing in Continents Adrift [artist’s pages]
\nDeborah Margo
\npp. 52 – 53
\nThe Map: Shifts, overwrites, overlays
\nSarah Rosenbaum
\npp. 54 – 60
\nThe Library of Maps [artist’s pages]
\nMoira Roth
\npp. 60
\nThe Hotel Room
\nJoanne Finkelstein, Rob Lynch
\npp. 61 – 66
\nMapping the Body Politic: Embodying political geography in Irish dance
\nMoe Meyer
\npp. 67 – 78
\nMy Life in Hackney [artist’s pages]
\nMary Lemley
\npp. 75
\nTheatre PUR On Ice
\nJoe Kelleher
\npp. 79 – 87
\nVagueness Gridlocked: A map of the smells of New York (December 1999 to January 2000)
\nEleanor Margolies
\npp. 88 – 99
\nMy Life in Hackney [artist’s pages]
\nMary Lemley
\npp. 98
\nThe Library of Maps [artist’s pages]
\nMoira Roth
\npp. 99
\nArchives: Performance Remains
\nRebecca Schneider
\npp. 100 – 108
\nPerformance Art Kontext
\nGerhard Dirmoser, Boris Nieslony
\npp. 109 – 109
\nGeophilia’s Galaxy [artist’s pages]
\nSusan David Bernstein, Laurie Beth Clark
\npp. 110 – 115
\nReviews: The Intelligent Stage
\nJohannes Birringer
\npp. 116 – 122
\nCyberspace as Performance Art Venue
\nPhilip Auslander
\npp. 123 – 128
\nThe Library of Maps [artist’s pages]
\nMoira Roth
\npp. 127 – 128
\nBook Reviews
\nDavid Bradby, Stephen Chinna, Sally Gardner
\npp. 129 – 140
\nNotes on Contributors
\npp. 141 – 142<\/p>\n\n\n