{"id":538,"date":"2014-03-06T15:14:02","date_gmt":"2014-03-06T15:14:02","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=538"},"modified":"2016-01-12T11:11:25","modified_gmt":"2016-01-12T11:11:25","slug":"6-1-departures","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/6-1-departures\/","title":{"rendered":"6.1 Departures"},"content":{"rendered":"

\u2018Departures\u2019 will open our sixth year of publication and begins a critical and creative enquiry into travel. This will be the first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms. This issue will include contributions which engage with a variety of critical and artistic points of departure, and ways of thinking about the idea of \u2018departures\u2019 in the widest sense of the term, both actual and metaphorical, and about possible \u2018departures\u2019 within a variety of sites and contexts \u2013 geographical, political, theoretical and artistic.
\nEditorial: Points of Departure
\nClaire MacDonald
\npp. 1 – 2
\nBetween Journeys: an interview with Lee Wen
\nWoon Tien Wei
\npp. 3 – 7
\nThe Currency of the Travelling Artist
\nJohannes Lothar Schr\u00f6der
\npp. 8 – 11
\nVisions of Migration: Internal diasporas
\nCaridad Svich
\npp. 12 – 23
\nDepartures: an excursion into discursiveness
\nLenora Champagne
\npp. 24 – 28
\nDeparting from Oneself: Cases of pre-rational mimesis before a spatial artwork
\n\u00c7etin Sarikartal
\npp. 29 – 36
\nLeaving Berlin: On the performance of monumental change
\nNicolas Whybrow
\npp. 37 – 45
\nLas Vegas: The post-cinematic city
\nJuliet Flower MacCannell
\npp. 46 – 64
\nSacred way – Iera Odos
\nLizzie Calligas, Claire MacDonald
\npp. 65 – 70
\nTokyo Diary
\nPeter Eckersall, Rachel Fensham, Edward Scheer
\npp. 71 – 86
\nDeparting the Nation: Illusion as art
\nAlexander Del Re
\npp. 87 – 89
\ncesarean [artist’s pages]
\nTeresa Konechne
\npp. 90 – 93
\nTransnationality and Directing: The burden of race, culture and imagination
\nOlusegun Ojewuyi
\npp. 94 – 100
\nA Love Three Incarnations Long
\nPeter Sellars, Maria M. Delgado
\npp. 101 – 107
\nOan Hon (Lost Souls): Lament for Cambodia, Vietnam, Hiroshima, Kosovo and East Timor, May – September 1999
\nMoira Roth
\npp. 108 – 116
\nTwo Blind Journeys [artist’s pages]
\nGuy Briller, Hadas Ophrat
\npp. 117 – 120
\nReviews: All Over the Map
\nClaire MacDonald
\npp. 121 – 123
\nBook Reviews
\nPeta Tait, Tracey Warr
\npp. 124 – 131
\nPerformance Reviews – The 2000 London Biennale
\nPernilla Holmes, Claudia Wegener
\npp. 132 – 139
\nNotes on Contributors
\npp. 140 – 142<\/p>\n\n\n