{"id":537,"date":"2014-03-06T15:12:08","date_gmt":"2014-03-06T15:12:08","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=537"},"modified":"2021-02-12T08:56:36","modified_gmt":"2021-02-12T08:56:36","slug":"5-3-on-memory","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/5-3-on-memory\/","title":{"rendered":"5.3 On Memory"},"content":{"rendered":"

Appearing at the end of the year 2000, in an era that many cultural commentators have characterized as suffering from a pervasive amnesia, the issue will reflect on the use of performance as a means for cultures across the world to define themselves. It will explore the impact of the forces of memory on performance in culture, examining the implications of these forces for the ways in which we resolve the past, foresee the future and construct our individual and national identities. In this context, the issue will question how the dynamics of memory, remembrance and forgetting relate to the aesthetics of performance.
\nEditorial: On Memory
\nAdrian Heathfield, Andrew Quick
\npp. 1 – 3
\nArchive: Stalking Memory (DVD)
\ndesperate optimists
\n.. AS .. TO .. BE .. [artist’s pages]
\nAlastair MacLennan
\npp. 4 – 5
\nMemory is this
\nMatthew Goulish
\npp. 6 – 17
\nPerforming Memory in Holocaust Museums
\nRichard Cranshaw
\npp. 18 – 27
\n.. AS .. TO .. BE .. [artist’s pages]
\nAlastair MacLennan
\npp. 28 – 29
\nAmerica\/Amnesis
\nAnthony Kubiak
\npp. 30 – 36
\nConstants [artist’s pages]
\nBodies in Flight
\npp. 37 – 40
\nOf the Memory of a Human Unhoused in Being
\nMichal Kobialka
\npp. 41 – 55
\nSpanish Still Life (Ball of Dead Birds) [artist’s pages]
\nMark Booth
\npp. 56 – 59
\nMemory and Monstrosity
\nCarol Becker
\npp. 60 – 73
\n.. AS .. TO .. BE .. [artist’s pages]
\nAlastair MacLennan
\npp. 74 – 75
\nKicking with Another Foot: Contesting Memories in Marie Jones’s A Night in November and Dermot Bolger’s In High Germany
\nTom Maguire
\npp. 76 – 81
\nArm’s Length [artist’s pages]
\nTina Takemoto
\npp. 82 – 85
\nLove’s Geography
\nPeggy Phelan
\npp. 86 – 89
\nArchive Fever: Memory as a challenge to finitude in the work of Rose English and Insomniac Productions
\nSarah Gorman
\npp. 90 – 99
\n.. AS .. TO .. BE .. [artist’s pages]
\nAlastair MacLennan
\npp. 100 – 101
\nMemory Acts: Performing subjectivity
\nMieke Bal
\npp. 102 – 114
\nResisting Memorialisation
\nFiona Templeton, Andrew Quick
\npp. 115 – 124
\nRe-membering the Performing Body: Hysteria, memory and performance in Portrait of Dora and Augustine (Big Hysteria)
\nJoanna Townsend
\npp. 125 – 131
\nBook Review
\nGuy Undrill
\npp. 133 – 137
\n.. AS .. TO .. BE .. [artist’s pages]
\nAlastair MacLennan
\npp. 138 – 139
\nCompendium: A Forced Entertainment glossary
\nMatthew Goulish
\npp. 140 – 148
\nNotes on Contributors
\npp. 149 – 150<\/p>\n\n\n