{"id":535,"date":"2014-03-06T15:09:10","date_gmt":"2014-03-06T15:09:10","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=535"},"modified":"2016-01-12T11:08:13","modified_gmt":"2016-01-12T11:08:13","slug":"5-1-openings","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/5-1-openings\/","title":{"rendered":"5.1 Openings"},"content":{"rendered":"

This issue opens the fifth year of publication for Performance Research, and focuses on furthering the conversations with scholars and artists which have developed over the first half-decade of our existence. As well as including reflections on the state of play in the worlds of performance practice, theory and criticism the editors intend to open new subjects and to initiate new formats for publication. Proposals, interviews, performance texts, letters and responses to the ideas generated in PR since 1996 are welcomed and encouraged.
\nEditorial: Openings
\nRic Allsopp, David Williams
\npp. iii – iv
\nThe Location and Dislocation of Theatre
\nRic Allsopp
\npp. 1 – 8
\nBrian Catling’s The Stumbling Block, It’s Index: A Reading
\nSimon Perril
\npp. 9 – 15
\nBleeding, Sweating, Crying and Jumping
\nAnna Furse
\npp. 16 – 31
\nThe Citadel: A wise body
\nJacky Lansley
\npp. 32 – 39
\nLive Transmissions [artist’s pages]
\nMorgan O’Hara
\npp. 40 – 41
\nCapel Pennant – the Place I Am In
\nLisa Lewis
\npp. 42 – 53
\nThe Tower Under the Sky: Choreographic and cinematographic theatre in New Zealand
\nJohn Downie
\npp. 54 – 61
\nAvignon 1999 (Nine Photo-Texts) [artist’s pages]
\nPatrice Pavis
\npp. 62 – 69
\nCarlyle Reedy – Straddling Language and Performance
\nAlaric Sumner
\npp. 70 – 73
\nMonkey Theatre (1972): Carlyle Reedy interviewed by Alaric Sumner
\nCarlyle Reedy, Alaric Sumner
\npp. 74 – 82
\nDisplaced Consciousness: Tracing the blind spot of our perception
\nKoen Tachelet
\npp. 83 – 90
\nProletarian Tragedies in the Era of Counter-revolution: The post-dramaturgy of Heiner M\u00fcller
\nValentina Valentini
\npp. 91 – 98
\nKnowable and Unknowable Worlds: The dance-theatre of Josef Nadj
\nTibor V\u00e1rszegi
\npp. 99 – 105
\nReckless Sleepers: ‘Schr\u00f6dinger’s Box’ (A Document)
\nReckless Sleepers
\npp. 106 – 111
\nExcept the Cinders – a Fire Trajectory
\nDavid Williams
\npp. 112 – 119
\nEssay Competition Winner: Conflict of Interest: Performance as a spectator
\nJoshua Sofaer
\npp. 120 – 125
\nBook Review
\nDiana Theodores
\npp. 126 – 127
\nArchive Review
\nStuart Lynch
\npp. 128 – 130
\nNotes on Contributors
\npp. 131 – 132<\/p>\n\n\n