{"id":531,"date":"2014-03-06T15:05:07","date_gmt":"2014-03-06T15:05:07","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=531"},"modified":"2016-01-12T11:07:06","modified_gmt":"2016-01-12T11:07:06","slug":"4-2-on-line","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/4-2-on-line\/","title":{"rendered":"4.2 On Line"},"content":{"rendered":"

Emerging digital media, information and communications technologies are changing the ways in which we understand and experience time and space, place and body. These developments challenge us to redefine existing strategies and forms of performance, and to create fresh approaches and alternative environments for performance making and composition. On Line will explore these changing conditions as they relate to performance practice and discourse. The editors invite materials from individuals and groups involved in exploring territories where emerging technologies and performance overlap and intersect, as well as excavations of the histories of performance and technology.
\nEditorial
\nRic Allsopp, Scott deLahunta
\npp. iii – iv
\nDeath, Digitalization and Dys-appearance: Staging the body of science
\nMaaike Bleeker
\npp. 1 – 7
\nA Microchip Inside the Body
\nArlindo Machado
\npp. 8 – 12
\nJadi Jadian’s Invisible Theatre: Heritage in the workshop of performance
\nPaul Carter
\npp. 13 – 26
\nUtterance 1: Fighting My Own Endemic Technophobia (1996)
\nGuillermo G\u00f3mez-Pe\u00f1a
\npp. 27 – 29
\nShells That Matter: The digital body as aesthetic\/political representation
\nHarald Begusch
\npp. 30 – 32
\nUtterance 2: Performance, Technology and the Oracle
\nMark Coniglio
\npp. 33 – 33
\nActions in Virtual Space
\nMarina Gr\u017eini\u0107
\npp. 34 – 41
\nStrategies, Tactics and Resolutions in 1999 [artist’s pages]
\nMarko Peljhan
\npp. 42 – 43
\nUtterance 3: If Only I Could Touch the Mouse, My Life Would Be Perfect
\nAmanda Steggell
\npp. 44 – 46
\nImpossible Becomes Possible
\nBojana Kunst
\npp. 47 – 51
\nUtterance 4: Relational Architecture
\nRafael Lozano-Hemmer
\npp. 52 – 56
\nA Conversation about Jet Lag between Diller & Scofidio, Jessica Chalmers and Marianne Weems
\nMarianne Weems
\npp. 57 – 60
\nUtterance 5: Mesh Performance Partnerships
\nSusan Kozel, Kirk Woolford
\npp. 61 – 63
\nDance Geometry
\nWilliam Forsythe, Paul Kaiser
\npp. 64 – 71
\nUtterance 6: Live and Media Performance – the Next Frontier
\nRichard Loveless, Lizbeth Goodman
\npp. 72 – 77
\nThe Laughing Dead and the Lively (or was it lovely?) Virgin: Theatre, circus and popular ritual in the work of Chiles’s Teatro Circo Imaginario
\nAndr\u00e9s del Bosque, Maximilano Salinas, Enzo Cozzi
\npp. 78 – 88
\nUtterance 7: The Talking Cure n Hypermedia Performance Production
\nAdrianne Wortzel
\npp. 89 – 91
\nWriting for a Cyborg Who Prepares (Part One)
\nNancy Reilly-McVittie
\npp. 92 – 95
\nUtterance 8: Letter to an Unknown Thief
\nGuillermo G\u00f3mez-Pe\u00f1a
\npp. 96 – 97
\nReviews: ‘The ChoreoGraph’: Non-linear choreography and fluid environments
\nMichael Klien, Nicholas Mortimer
\npp. 98 – 100
\nReviews: De Quincey\/Lynch: 24 Hours
\nIan Maxwell
\npp. 101 – 102
\nReviews: The KeyStroke Project
\nSher Doruff
\npp. 103 – 106
\nReviews: Stills of the Night
\nAndrew Quick
\npp. 107 – 108
\nJetlag [artist’s pages]
\nDiller & Scofidio
\npp. 109 – 112
\nBook Reviews
\nAlexandra Carter, Claire MacDonald
\npp. 113 – 119
\nArchive Review: The Net as Archive
\nRic Allsopp, Scott deLahunta
\npp. 119 – 120
\nNotes on Contributors
\npp. 121 – 123<\/p>\n\n\n