{"id":5249,"date":"2019-11-06T17:52:11","date_gmt":"2019-11-06T17:52:11","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=5249"},"modified":"2019-11-06T18:02:58","modified_gmt":"2019-11-06T18:02:58","slug":"24-2-on-mountains","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/24-2-on-mountains\/","title":{"rendered":"24.2 On Mountains"},"content":{"rendered":"

Mountains are places of \u2018great cultural importance\u2019, geographer Martin Price has observed. They are constantly being shaped by human hands, sometimes benignly and sometimes with permanent malignance. Culture plays an integral part in this process and has done for centuries, producing an extraordinarily varied gallery of mountain performances.\u00a0On Mountainsdocuments some of this history. It explores how performance practice is making sense of mountains, celebrating the range of approaches being mobilized to do this thinking: from practice-research and phenomenological enquiry, to historiography, gender studies and performance analysis, and, in the case of a clutch of articles, wild speculation and thought experimentation. In artist pages, discursive writing and richly illustrated photo essays, this issue centres on performance makers\u2019 and scholars\u2019 capacity to reflect on, intervene in and translate the complexity of mountain environments, drawing on vivid examples from India, China, the UK, the United States and Europe.<\/p>\n

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Introduction\u2009: On Mountains<\/strong>
\nJonathan Pitches<\/p>\n

Found Constraints and Followed Contours\u2009: The Barkley Marathons<\/strong>
\nCurt Cloninger<\/p>\n

A Mountain as Multiverse\u2009: Circumnavigating the realities and meta-realities of a Kailas pilgrim<\/strong>
\nSimon Piasecki<\/p>\n

Searching for the Perfect Welsh Mountain\u2009: A performance of tactical absurdity<\/strong>
\nDave Ball<\/p>\n

Into the Mountain [artist\u2019s pages]<\/strong>
\nSimon Kenyon<\/p>\n

Black Rock\u2009: Routes through scenographic translation, from mountain climbing to performance<\/strong>
\nDavid Shearing<\/p>\n

Peaceful Waters [artists\u2019 pages]<\/strong>
\nDeborah Norris, Jeremy Ward<\/p>\n

Naming (and Claiming) Vertical Territories<\/strong>
\nKate Lawrence<\/p>\n

word-mntn<\/strong>
\nAlec Finlay<\/p>\n

Performing Mountains<\/strong>
\nHarriet Fraser, Rob Fraser<\/p>\n

Performing Socialism at Altitude\u2009: Chinese expeditions to Mount Everest, 1958\u20131968<\/strong>
\nMaggie Greene<\/p>\n

Healing the Mountain\u2019s Wounds\u2009: Reflections on two Chinese site-specific mountain performances<\/strong>
\nShi Ke<\/p>\n

Articulating Mountains Through Mofussil Aesthetics\u2009: A study of operatic theatre tradition in India<\/strong>
\nPrateek<\/p>\n

Landslide from Ben Bulben\u2009: Mountain activism and the Irish abortion referendum<\/strong>
\nEvelyn O’Malley<\/p>\n

#NeverLeaveTheDogBehind\u2009: How climbers\u2019 dogs perform mountain landscapes<\/strong>
\nHelen Mort<\/p>\n

Looking at Malla \/ Steaming Earth<\/strong>
\nAnnette Arlander<\/p>\n

Picturesque Lost\u2009: Martin Conway\u2019s experimental travels into geography<\/strong>
\nWilliam Bainbridge<\/p>\n

Dorothy Wordsworth and her Female Contemporaries\u2019 Legacy : A feminine \u2018material\u2019 sublime approach to the creation of walking-performance in mountainous landscapes<\/strong>
\nLouise Ann Wilson<\/p>\n

Figure with Landscape\u2009: A scenographer walks<\/strong>
\nSusannah Henry<\/p>\n\n\n