{"id":4572,"date":"2019-01-10T11:00:47","date_gmt":"2019-01-10T11:00:47","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=4572"},"modified":"2019-01-23T16:31:37","modified_gmt":"2019-01-23T16:31:37","slug":"the-right-light","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/the-right-light\/","title":{"rendered":"The Right Light"},"content":{"rendered":"

How do theatre lighting designers decide what is ‘the right light’ for each moment of a production? What informs their choices? Why does the audience respond more strongly when the lighting feels ‘right’?<\/p>\n

By interviewing nineteen prominent lighting designers and weaving their insights through his own narrative, Nick Moran aims to answer such questions. This book considers practice across different types of theatre, including opera, dance, musicals and drama. Rather than being a technical manual, it allows lighting designers to contribute contrasting and complementary ideas about how to approach lighting design. Moran argues that the best stage lighting is made with emotion, passion and soul, by creative artists willing to take risks.<\/p>\n

Includes interviews with: Neil Austin \u2013 Lucy Carter \u2013 Jon Clark \u2013 Natasha Chivers \u2013 Paule Constable \u2013 James Farncombe \u2013 Rick Fisher \u2013 Mark Henderson \u2013 David Howe \u2013 Michael Hulls \u2013 Mark Jonathan \u2013 Peter Mumford \u2013 Ben Ormerod \u2013 Bruno Poet \u2013 Paul Pyant \u2013 Nick Richings \u2013 Johanna Town \u2013 Hugh Vanstone \u2013 Katharine Williams<\/p>\n\n\n