{"id":4526,"date":"2018-12-14T23:38:34","date_gmt":"2018-12-14T23:38:34","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=4526"},"modified":"2019-08-08T09:50:55","modified_gmt":"2019-08-08T09:50:55","slug":"different-every-night","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/different-every-night\/","title":{"rendered":"Different Every Night"},"content":{"rendered":"
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A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors and directors.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Different Every Night<\/strong><\/em>\u00a0is the culmination of a lifetime of work in the theatre, the most complete rehearsal methodology in print since Stanislavsky. It offers a vital masterclass for actors and directors, full of sound practical advice and guidance, and is packed with techniques for bringing the text to life and keeping it alive – both in rehearsal and performance.<\/p>\n

‘Most of what I am as an actress I owe to Mike Alfreds. He gave me the language and the tools I needed for my craft’<\/em>\u00a0Pam Ferris, from her Foreword<\/p>\n

‘If I was allowed to train again to be an actor, but I was only allowed one teacher, it would have to be Mike Alfreds. To me he is a genius when it comes to acting and storytelling’<\/em>Mark Rylance<\/p>\n<\/div>\n\n\n