{"id":4499,"date":"2018-12-14T14:50:55","date_gmt":"2018-12-14T14:50:55","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=4499"},"modified":"2021-06-10T12:07:43","modified_gmt":"2021-06-10T12:07:43","slug":"23-4-on-reflection-turning-100","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/23-4-on-reflection-turning-100\/","title":{"rendered":"23.4\/5 On Reflection – Turning 100"},"content":{"rendered":"

This issue of\u00a0Performance Research<\/em>\u00a0is the centenary anniversary edition of the journal. With the increase of volume output from three issues a year (1996) to four (2002) and then six (2012) and now eight (2017), the 100th\u00a0issue has rapidly hurtled towards us. To mark this achievement, we have published a special expanded edition (a double issue, plus\u2014XXL); we have solicited new articles and artist pages in response to all the previous ninety-nine themes explored by the journal since its inception\u2014from the first issue\/theme\u00a0Temper of the Times<\/em>\u00a0(1:1 1996)\u00a0to the ninety-ninth,\u00a0On Climates<\/em>\u00a0<\/em>(23:3 2018). The 100th\u00a0submission, an essay in two parts, is authored by Ric Allsopp and Richard Gough. In terms of the structure of the issue, chronological order is reversed so that we begin with\u00a0On Climates<\/em>\u00a0and run towards\u00a0Temper of the Times<\/em><\/p>\n

We approached all of our Editorial Board, former Guest Editors, journal editors of sister publications and artists\/scholars who have contributed frequently to\u00a0Performance Research\u00a0throughout the last twenty-two years, inviting them to select one theme of the ninety-nine, and write (compose or construct) a new work in response to that theme (not necessarily the contents of the \u2018original\u2019 issue). The only condition was that they could not select a theme that they had edited or previously written on. The result is an extraordinary collection of scholarly articles, provocations, artist pages, works for the page, poems and textual montages composed by\u00a0Performance Research<\/em>\u00a0colleagues from around the world\u2014a celebration, in more than 500 pages, of Performance and Research.<\/p>\n

The first 100 customers of this bumper, celebratory issue will receive a 10% discount off the full price of \u00a335.00.<\/p>\n

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Read the editorial and abstracts here<\/a>.<\/em><\/p>\n

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Contents<\/strong><\/div>\n<\/div>\n
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On Reflection: An introduction\u00a0<\/strong>Richard Gough<\/p>\n

From Weather to Climate: A\u00a0note\u00a0<\/strong>Carl Lavery<\/p>\n

\u2018Performing, Writing\u2019: What\u2019s that comma up to?\u00a0<\/strong>John Hall<\/p>\n

On Children\u00a0<\/strong>Eirini Kartsaki<\/p>\n

On Leftovers\u00a0<\/strong>Una Bauer<\/p>\n

On Taste and Other Senses: Synaesthesia in Renaissance and Avant-garde performance\u00a0<\/strong>G\u00fcnter Berghaus<\/p>\n

Seriously Drunk: Anders H\u00e4rm and Wendy Houstoun fall \u2018under the influence\u2019\u00a0<\/strong>Sarah Gorman<\/p>\n

How Long? How Far? A\u00a0brief meditation on the reach of a\u00a0name\u2019s performativity\u00a0<\/strong>Natasha Lushetich<\/p>\n

With the Maternal: Encountering performance through natality\u00a0<\/strong>Adele Senior<\/p>\n

Janez Jan\u0161a\u00ae: Proximity as a\u00a0dramaturgical operation, in three parts\u00a0<\/strong>Konstantina Georgelou<\/p>\n

Turning Animal, with 100 Claws\u00a0<\/strong>MoOM (aka the Museum of OMMMMM)<\/p>\n

Libraries\u00a0<\/strong>Tracy C. Davis<\/p>\n

Radical Education\u00a0<\/strong>Gary Anderson<\/p>\n

Trans-performance\u2009: Artaud\u2019s 1937 journey to Ireland\u00a0<\/strong>Stephen Barber<\/p>\n

\u2018Tamper (the play in it)\u2019\u00a0<\/strong>David Williams<\/p>\n

On Dialectics\u00a0<\/strong>Nicholas Ridout<\/p>\n

My Sea\u2009: On the waves of poetics and politics\u00a0<\/strong>Lena \u0160imi\u0107<\/p>\n

In Repose: 45\u00a0sleeping performance researchers\u00a0<\/strong>Sam Trubridge<\/p>\n

A<\/em> Litany<\/em> on An\/notations<\/strong> Tara Aisha Willis<\/p>\n

On Repetition\u00a0<\/strong>Philip Auslander<\/p>\n

On Institutions\u00a0<\/strong>Bojana Kunst<\/p>\n

Ruined\u00a0<\/strong>Claire MacDonald<\/p>\n

Never Been Human I\u00a0am Bird: On the shape of love\u00a0<\/strong>Nicolas Salazar Sutil<\/p>\n

The Triangle of Love: Aesthetics and engagement\u00a0<\/strong>Michael Hiltbrunner<\/p>\n

New Hazardscapes for Old: Rupture, resilience, resistance\u00a0<\/strong>Sharon Mazer<\/p>\n

disturbulendance\u2009: (the feel of things<\/em>)\u00a0<\/strong>Andr\u00e9 Lepecki<\/p>\n

On Medicine\u00a0<\/strong>K\u00e9lina Gotman<\/p>\n

On (Not Being with) Time (Queerly) in Post-War Britain\u00a0<\/strong>Ben Cranfield<\/p>\n

On [the limits of] Affirmation: Benjamin and Wittgenstein\u00a0<\/strong>Freddie Rokem<\/p>\n

On Abjection: Pain, blood and humour as a\u00a0feminist aesthetic strategy in the work of Boryana Rossa\u00a0<\/strong>Sandra D’Urso<\/p>\n

Gone to Zero\u00a0<\/strong>Wayne Hill<\/p>\n

On Writing & Digital Media\u00a0<\/strong>Debra Caplan<\/p>\n

Nothing like \u2026 falling \u2026\u00a0<\/strong>Susan Melrose<\/p>\n

Becoming-atmosphere\u00a0<\/strong>Johannes Birringer<\/p>\n

On Those and Other Values: A\u00a0field trip to the Netherlands in times of trouble\u00a0<\/strong>Marijke Hoogenboom<\/p>\n

Footnoting Fire\u00a0<\/strong>Alan Read<\/p>\n

Labourscrape\u00a0<\/strong>Eddie Paterson<\/p>\n

Living in the Moment\u2009: Duration now and then\u00a0<\/strong>Andy Lavender<\/p>\n

On Duration\u00a0<\/strong>Julieanna Preston<\/p>\n

Site-specific Ecological Loss\u00a0<\/strong>Peta Tait<\/p>\n

Forgetting Machines: From memory theatres to critical rap\u00a0<\/strong>Jon Mckenzie<\/p>\n

Four Legs Good \u2026\u00a0<\/strong>Claire Cunningham, Dee Heddon<\/p>\n

Failure, Fighting and Pedagogy\u00a0<\/strong>Sarah Kate Crews<\/p>\n

On Philosophy & Participation\u00a0<\/strong>Will Daddario<\/p>\n

For an Art of Participation\u2009: Common goods for the common\u00a0<\/strong>Branislav Jakovljevi\u0107<\/p>\n

Performing Publics\u00a0<\/strong>Gigi Argyropoulou<\/p>\n

On Clinical, Cultural and Theatrical Trauma\u00a0<\/strong>Caroline Wake<\/p>\n

Fieldworks\u00a0<\/strong>Joe Kelleher<\/p>\n

On Listening\u00a0<\/strong>Sodja Lotker<\/p>\n

Shu-mon, Get it\u00a0<\/strong>Hypatia Vourloumis<\/p>\n

Addressing the Bones: Parades, photography and pedagogy\u00a0<\/strong>R\u00f3is\u00edn O’Gorman<\/p>\n

The Interval Between Bodies\u2009: Transplanted parts\u00a0<\/strong>Gianna Bouchard<\/p>\n

On Dramaturgy to Make Visible\u00a0<\/strong>Peter Eckersall<\/p>\n

Turning Back to Training\u00a0<\/strong>Paul Allain, Stacie Lee Bennett<\/p>\n

Performing Literatures : Handling the text\u00a0<\/strong>Lynette Hunter, Ilya No\u00e9<\/p>\n

On Appearance\u2009: or what the Loch Ness Monster can teach us about contemporary performance\u00a0<\/strong>Philip Watkinson<\/p>\n

A Sea of Stories\u2009: Archipelagic gatherings and RoRo journeys\u00a0<\/strong>Jazmin Badong Llana<\/p>\n

After Performatics\u00a0<\/strong>Dariusz Kosinski<\/p>\n

On Choreography: Femmage, collage, assemblage\u00a0<\/strong>Rachel Fensham<\/p>\n

On Objects\u00a0<\/strong>Nick Kaye<\/p>\n

On Diaspora: In search of the holy\u00a0<\/strong>Rina Arya<\/p>\n

Road Rumour: Ground plans for the sky-blue city\u00a0<\/strong>Nicolas Whybrow<\/p>\n

On, Beckett\u00a0<\/strong>Sara Jane Bailes<\/p>\n

Digital Resources\u00a0<\/strong>Talia Rodgers<\/p>\n

Towards a\u00a0Fictionary of Theatre\u00a0<\/strong>Patrice Pavis<\/p>\n

A Note on the Index in Contemporary Documentary Theatre\u00a0<\/strong>Solveig Gade<\/p>\n

Made to Order: Japan\u00a0<\/strong>Cody Poulton<\/p>\n

Clues on Techn\u0113\u00a0<\/em><\/strong>Frank Camilleri<\/p>\n

On a\u00a0Shakespeare\u2013Verdi Trilogy: In photographs\u00a0<\/strong>Marin Bla\u017eevi\u0107<\/p>\n

Dynamics or Solidifications? Questions on form(ations) in contemporary dance\u00a0<\/strong>Susanne Foellmer<\/p>\n

On Theatre\u00a0<\/strong>Paul Rae<\/p>\n

Civility, Empathy, Democracy and Memory: Exploring the ‘we’ in compromised times\u00a0<\/strong>Maria M. Delgado<\/p>\n

Generation\u00a0<\/strong>Rebecca Schneider<\/p>\n

Generation (Monday)\u00a0<\/strong>Matthew Goulish<\/p>\n

What\u2019s Left on the Page\u00a0<\/strong>Theron Schmidt<\/p>\n

Purkinje Cells: Synchronising timelines\u00a0<\/strong>Scott de Lahunta<\/p>\n

Moving Bodies, Piano Body\u00a0<\/strong>Catherine Laws<\/p>\n

Smell, Terrorism and Performance\u00a0<\/strong>Jim Drobnick<\/p>\n

On the Marriage between Bont\u00e9 Crompton and Gustavo Dur\u00e1n\u00a0<\/strong>Kevin Mount<\/p>\n

Studying Voice in Order to Build a\u00a0Knowledge of Vocal Creation\u00a0<\/strong>Valentina Valentini<\/p>\n

Sweet Everlasting Voices\u00a0<\/strong>Joan Mills<\/p>\n

On Archives & Archiving\u00a0<\/strong>Peter Hulton<\/p>\n

Performance Archives\u2009:<\/strong> Recommendations by Performance Research<\/em> contributors<\/p>\n

When Fluxus Came to West Wales\u2009: A\u00a0re-search in 12\u00a0actions \u2013 or, does a\u00a0network have a\u00a0margin?\u00a0<\/strong>Heike Roms<\/p>\n

On Translation\u00a0<\/strong>Goran Sergej Prista\u0161, BADCo.<\/p>\n

On Editing: Between the lines\u00a0<\/strong>Bonnie Marranca<\/p>\n

Navigations\u00a0<\/strong>Cathy Turner<\/p>\n

Erotic Zones, Utopian Images\u00a0<\/strong>Paul Carter<\/p>\n

On Departures: Heiner M\u00fcller meets Elon Musk\u00a0<\/strong>Edward Scheer<\/p>\n

On Memory\u00a0<\/strong>Lisa Lewis<\/p>\n

Ephemera\u2009: Matter and memory\u00a0<\/strong>Dorota Sosnowska<\/p>\n

Opening the Circle: Performance philosophy as an animal movement\u00a0<\/strong>Laura Cull \u00d3 Maoilearca<\/p>\n

On Openings\u00a0<\/strong>Emily Underwood-Lee<\/p>\n

On Silence and Autism\u00a0<\/strong>Shaun May<\/p>\n

On Line: A\u00a0response from a\u00a0transmedial, postdigital and post-internet future\u00a0<\/strong>Christina Papagiannouli<\/p>\n

On Cooking\u00a0<\/strong>Michael Peterson<\/p>\n

Come as you are\u00a0<\/strong>Daniel Watt<\/p>\n

Things Come Apart\u00a0<\/strong>Mike Pearson<\/p>\n

On America\u00a0<\/strong>Stephen Scott-Bottoms<\/p>\n

On Refuge\u00a0<\/strong>Helena Grehan<\/p>\n

Saudades<\/em> : A\u00a0series of digressions on tourism, trauma, expertise and longing\u00a0<\/strong>Laurie Beth Clark<\/p>\n

Letters from Europe\u00a0<\/strong>Mischa Twitchin<\/p>\n

Illusiontext\u00a0<\/strong>Richard Allen, Goat Island<\/p>\n

On Ignoring<\/del> Risk\u00a0<\/strong>Patrick Duggan<\/p>\n

The Hunter’s Risk\u00a0<\/strong>Eugenio Barba<\/p>\n

On the Temper of Multiple Times: Remembrance of things in the moment of fury\u00a0<\/strong>Rustom Bharucha<\/p>\n

Interpreting Dreams\u00a0<\/strong>Ric Allsopp<\/p>\n

Journal Bound\u00a0<\/strong>Richard Gough<\/p>\n<\/div>\n

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