{"id":4429,"date":"2018-10-16T13:51:53","date_gmt":"2018-10-16T13:51:53","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=4429"},"modified":"2018-10-16T14:36:03","modified_gmt":"2018-10-16T14:36:03","slug":"23-3-on-climates","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/23-3-on-climates\/","title":{"rendered":"23.3 On Climates"},"content":{"rendered":"
On Climates<\/em>\u00a0seeks to register the significance of environmental questions at this moment in time, while taking the opportunity to understand what performance thinking has to contribute to patterns of connection, relation and event formation. To think\u00a0On Climates<\/em>, is also to consider what it means to be\u00a0in climates, to acknowledge how we are marked and situated by the effects of environments and atmospheres on our bodies, histories, and relationships with others. For this issue, we propose an expanded conception of climates: one that draws attention to local conditions \u2013 whether these might be cities, towns, oceans, theatres, parks, prisons, farms, and habitats. We foreground a continuing engagement with interlocutors from\u00a0multiple perspectives that broadly address the question of climates such as: durations and atmospheres; performance events, climate change and theatre; political climates, and innovative intersections between science,\u00a0performance transactions and\u00a0embedded experiences in community actions, activist and art events.<\/p>\n <\/p>\n Introduction\u2009: Micro-Climates<\/strong> Introduction\u2009: Climate reports<\/strong> First Nations Politics in a Climate of Refusal\u2009: Speaking and listening but failing to hear<\/strong> Extending a Hand\/Lending an Ear<\/strong> Climate Report from The Philippines<\/strong> Life After Extinction\u2009: The participatory performances of Robyne Latham<\/strong> Doing Food, Doing Climate\u2009: Spatula&Barcode\u2019s Foodways projects<\/strong> Climate Report from Chile<\/strong> Cultivating Survival with Maria Lucia Cruz Correia\u2009: Towards an ecology of agential realism<\/strong> Climate Report from Uruguay<\/strong> Railtrack Songmaps<\/strong> [artist\u2019s pages] When Birds Speak with Humans\u2009: The present tense of shorebird migration<\/strong> Making Sense of Air\u2009: Choreography and climate in Calling Tree<\/strong> Climate Report from Canada<\/strong> Performing Species Kinship and Strange Emotions<\/strong> Miasmatic Performance\u2009: Women and resilience in carceral climates<\/strong> Climate Report from the United States<\/strong> Really Existing Ghosts\u2009: A spectral reading of Conor McPherson\u2019s The Veil<\/strong> \u2018The Thin Air of Reality\u2019\u2009: Applause in the lecture theatre<\/strong> Climate Report from Australia<\/strong> Change the World? Recent Writing on Theatre, the Environment, Ecology and Change<\/strong> [review]
\nRachel Fensham, Eddie Paterson, Paul Rae<\/p>\n
\nSpatula&Barcode<\/p>\n
\nHelena Grehan<\/p>\n
\nRebecca Schneider, Paul Rae<\/p>\n
\nJazmin Badong Llana, Layeta Bucoy, Rommel Samarita<\/p>\n
\nLara Stevens<\/p>\n
\nLaurie Beth Clark, Michael Peterson<\/p>\n
\nLas Chinas, Sarita Galvez, Camila Marambio<\/p>\n
\nChristel Stalpaert<\/p>\n
\nMariana Meerhoff, Rafael Bernadi<\/p>\n
\nLucy Davis, Migrant Ecologies Project<\/p>\n
\nBarbara Campbell<\/p>\n
\nMartin Welton<\/p>\n
\nFred Bird, Frances Westley<\/p>\n
\nPeta Tait<\/p>\n
\nMolly McPhee<\/p>\n
\nSarah Bay-Cheng<\/p>\n
\nGraham Wolfe<\/p>\n
\nSarah Balkin<\/p>\n
\nRichard Frankland<\/p>\n
\nBree Hadley<\/p>\n\n\n