{"id":4429,"date":"2018-10-16T13:51:53","date_gmt":"2018-10-16T13:51:53","guid":{"rendered":"https:\/\/thecpr.org.uk\/?post_type=product&p=4429"},"modified":"2018-10-16T14:36:03","modified_gmt":"2018-10-16T14:36:03","slug":"23-3-on-climates","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/23-3-on-climates\/","title":{"rendered":"23.3 On Climates"},"content":{"rendered":"

On Climates<\/em>\u00a0seeks to register the significance of environmental questions at this moment in time, while taking the opportunity to understand what performance thinking has to contribute to patterns of connection, relation and event formation. To think\u00a0On Climates<\/em>, is also to consider what it means to be\u00a0in climates, to acknowledge how we are marked and situated by the effects of environments and atmospheres on our bodies, histories, and relationships with others. For this issue, we propose an expanded conception of climates: one that draws attention to local conditions \u2013 whether these might be cities, towns, oceans, theatres, parks, prisons, farms, and habitats. We foreground a continuing engagement with interlocutors from\u00a0multiple perspectives that broadly address the question of climates such as: durations and atmospheres; performance events, climate change and theatre; political climates, and innovative intersections between science,\u00a0performance transactions and\u00a0embedded experiences in community actions, activist and art events.<\/p>\n

 <\/p>\n

Introduction\u2009: Micro-Climates<\/strong>
\nRachel Fensham, Eddie Paterson, Paul Rae<\/p>\n

Introduction\u2009: Climate reports<\/strong>
\nSpatula&Barcode<\/p>\n

First Nations Politics in a Climate of Refusal\u2009: Speaking and listening but failing to hear<\/strong>
\nHelena Grehan<\/p>\n

Extending a Hand\/Lending an Ear<\/strong>
\nRebecca Schneider, Paul Rae<\/p>\n

Climate Report from The Philippines<\/strong>
\nJazmin Badong Llana, Layeta Bucoy, Rommel Samarita<\/p>\n

Life After Extinction\u2009: The participatory performances of Robyne Latham<\/strong>
\nLara Stevens<\/p>\n

Doing Food, Doing Climate\u2009: Spatula&Barcode\u2019s Foodways projects<\/strong>
\nLaurie Beth Clark, Michael Peterson<\/p>\n

Climate Report from Chile<\/strong>
\nLas Chinas, Sarita Galvez, Camila Marambio<\/p>\n

Cultivating Survival with Maria Lucia Cruz Correia\u2009: Towards an ecology of agential realism<\/strong>
\nChristel Stalpaert<\/p>\n

Climate Report from Uruguay<\/strong>
\nMariana Meerhoff, Rafael Bernadi<\/p>\n

Railtrack Songmaps<\/strong> [artist\u2019s pages]
\nLucy Davis, Migrant Ecologies Project<\/p>\n

When Birds Speak with Humans\u2009: The present tense of shorebird migration<\/strong>
\nBarbara Campbell<\/p>\n

Making Sense of Air\u2009: Choreography and climate in Calling Tree<\/strong>
\nMartin Welton<\/p>\n

Climate Report from Canada<\/strong>
\nFred Bird, Frances Westley<\/p>\n

Performing Species Kinship and Strange Emotions<\/strong>
\nPeta Tait<\/p>\n

Miasmatic Performance\u2009: Women and resilience in carceral climates<\/strong>
\nMolly McPhee<\/p>\n

Climate Report from the United States<\/strong>
\nSarah Bay-Cheng<\/p>\n

Really Existing Ghosts\u2009: A spectral reading of Conor McPherson\u2019s The Veil<\/strong>
\nGraham Wolfe<\/p>\n

\u2018The Thin Air of Reality\u2019\u2009: Applause in the lecture theatre<\/strong>
\nSarah Balkin<\/p>\n

Climate Report from Australia<\/strong>
\nRichard Frankland<\/p>\n

Change the World? Recent Writing on Theatre, the Environment, Ecology and Change<\/strong> [review]
\nBree Hadley<\/p>\n\n\n