This collection interrogates the interaction between new technologies and performance practice, linking the sensuous contact that must exist between the physical and virtual, together with the resultant corporeal transformation. It features writings from international contributors who specialize in digital art and performance practices.<\/p>\n
Table of contents (17 chapters)<\/strong><\/p>\n Bodies Without Bodies – Susan Melrose
\nTruth-Seeker\u2019s Allowance: Digitising Artaud – Dixon, Steve
\nTransformed Landscapes: The Choreographic Displacement of Location and Locomotion in Film – Cook, John
\nSaira Virous: Game Choreography in Multiplayer Online Performance Spaces – Birringer, Johannes
\nArtistic Considerations in the Use of Motion Tracking with Live Performers: A Practical Guide – Wechsler, Robert
\nMaterials vs Content in Digitally Mediated Performance – Coniglio, Mark
\nLearning to Dance with Angelfish: Choreographic Encounters Between Virtuality and Reality – Brown, Carol
\nKinaesthetic Traces Across Material Forms: Stretching the Screen\u2019s Stage – Schiller, Gretchen
\nSensuous Geographies and Other Installations: Interfacing the Body and Technology – Rubidge, Sarah
\nBody Waves Sound Waves: Optik Live Sound and Performance – Edwards, Barry (et al.)
\nIntelligence, Interaction, Reaction, and Performance – Broadhurst, Susan
\nThe Tissue Culture and Art Project: The Semi-Living as Agents of Irony – Oron Catts, Ionat Zurr
\nAddenda, Phenomenology, Embodiment: Cyborgs and Disability Performance – Kuppers, Petra
\nTechnology as a Bridge to Audience Participation? – Carson, Christie
\nAfterword: Is There Life after Liveness? – Auslander, Philip<\/p>\n\n\n