{"id":369,"date":"2014-03-05T13:20:41","date_gmt":"2014-03-05T13:20:41","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=369"},"modified":"2021-01-13T15:34:44","modified_gmt":"2021-01-13T15:34:44","slug":"letters-from-europe","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/letters-from-europe\/","title":{"rendered":"2.1 Letters from Europe"},"content":{"rendered":"

Europe is a continent in transition. In the past five years twelve new states have emerged in a continent in which only five countries have had stable borders for more than a hundred years. Letters from Europe will explore Europe’s performance forms, the relationship of old and new, the minority theatres of Europe and the place of dissident theatres in Europe now through the framing device of the letter – letters from theatre makers, artists and critics will accompany in-depth articles and interviews on European performance today.<\/p>\n

Preface and Editorial
\nRic Allsopp, Richard Gough, Claire MacDonald
\npp. v – viii<\/p>\n

Letters from Europe
\nZbigniew Warpechowski, Dragan Klaic, Johannes Schr\u00f6der
\npp. 1<\/p>\n

The Present of Memory: Th\u00e9\u00e2tre Demodesastr in performance
\nEleanor Margolies
\npp. 2 – 10<\/p>\n

Letters from Europe
\nZbigniew Warpechowski, Dragan Klaic, Johannes Schr\u00f6der
\npp. 11 – 13<\/p>\n

The Essential Theatre of Needcompany
\nRudi Laermans
\npp. 14 – 22<\/p>\n

Prepared Pages: Jan Lauwers\/Needcompany: Snakesong\/Le D\u00e9sir
\nNick Kaye
\npp. 23 – 30<\/p>\n

Letters from Europe
\nZbigniew Warpechowski, Dragan Klaic, Johannes Schr\u00f6der
\npp. 31 – 33<\/p>\n

Kids and Pets: The authentic in contemporary performance
\nChristine Gaigg
\npp. 34 – 36<\/p>\n

Prepared Pages: The Love-letter
\nKevin Mount
\npp. 37 – 44<\/p>\n

Writing – Text – Performance
\nRic Allsopp
\npp. 45 – 52<\/p>\n

Letters from Europe
\nZbigniew Warpechowski, Dragan Klaic, Johannes Schr\u00f6der
\npp. 53 – 54<\/p>\n

From Logos to Landscape: Text in contemporary dramaturgy
\nHans-Thies Lehmann
\npp. 55 – 60<\/p>\n

Text as Landscape
\nHeiner Goebbels
\npp. 61 – 65<\/p>\n

Prepared Pages: Son et Lumi\u00e8re
\nMichael Vorfeld
\npp. 66 – 67<\/p>\n

Performed through
\nJohn Hall
\npp. 68 – 72<\/p>\n

Displacing the Haptic: Performance art, photographic document and the 1970s
\nKathy O’Dell
\npp. 73 – 81<\/p>\n

The Scream
\nEmil Hrvatin
\npp. 82 – 91<\/p>\n

Prepared Pages: MAEL 69\/96
\nAlastair MacLennan
\npp. 92 – 99<\/p>\n

Letters from Europe
\nZbigniew Warpechowski, Dragan Klaic, Johannes Schr\u00f6der
\npp. 100 – 105<\/p>\n

The Night and the Dreams: A conversation with Esteve Graset
\nAntonio Fern\u00e1ndez
\npp. 106 – 113<\/p>\n

Letters from Europe
\nZbigniew Warpechowski, Dragan Klaic, Johannes Schr\u00f6der
\npp. 114 – 115<\/p>\n

Book Reviews
\nSusan Taylor, Claire MacDonald, Gray Watson
\npp. 116 – 121<\/p>\n

Archive Reviews
\nRic Allsopp
\npp. 122 – 125<\/p>\n

Notes on Contributors
\npp. 126 – 127<\/p>\n\n\n