{"id":366,"date":"2014-03-05T13:10:35","date_gmt":"2014-03-05T13:10:35","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=366"},"modified":"2021-07-03T22:26:01","modified_gmt":"2021-07-03T22:26:01","slug":"the-temper-of-the-times","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/the-temper-of-the-times\/","title":{"rendered":"1.1 The Temper of the Times"},"content":{"rendered":"

Including material from internationally renowned artists and scholars, yet also featuring some of the most provocative new voices in the field, this substantial peer-reviewed journal explores the unsettled boundaries, rapidly changing practices, and shifting definitions at play within the world of contemporary performance. Making innovative connections between theatre, dance, music, time-based and live art, Performance Research speaks to a broad readership of academics, practitioners, critics, and students interested in the relation between performance practice and research. In addition to in-depth essays, editorial comment, and book and performance reviews, each issue initiates new ways of addressing established forms of performance through the inclusion of extensive visual material, performance documentation and commissioned art works for the page.<\/p>\n

Prepared Pages
\nLily Markiewicz
\npp. i<\/p>\n

Editorial
\nRic Allsopp, Richard Gough, Claire MacDonald
\npp. v – viii<\/p>\n

The Temper of the Time: A correspondence (Part One)
\nMisha Glenny, Kirsten Lavers, Jude Walton
\npp. 1 – 4<\/p>\n

The Dream in the Desert
\nMike Pearson
\npp. 5 – 15<\/p>\n

Performance Epistemology
\nDavid George
\npp. 16 – 25<\/p>\n

Prepared Pages
\nHugo Glendinning, Forced Entertainment
\npp. 26 – 31<\/p>\n

Prepared Pages
\nLily Markiewicz
\npp. 29<\/p>\n

This is the Theatre that was to be Expected and Foreseen
\nJohannes Birringer
\npp. 32 – 46<\/p>\n

MURX: Berliner Volksb\u00fchne
\nLily Markiewicz
\npp. 47 – 51<\/p>\n

Opening up the Text
\nHeiner Goebbels
\npp. 52 – 58<\/p>\n

Arbeit Macht Frei Vom Toitland Europa: Akko Theatre Centre
\nHeike Roms
\npp. 59 – 62<\/p>\n

Site\/Intermedia
\nNick Kaye
\npp. 63 – 68<\/p>\n

Prepared Pages
\nLily Markiewicz
\npp. 69 – 70<\/p>\n

Self Sorage: Brian Eno, Laurie Anderson and students from the Royal College of Art, London
\nAndrea Phillips
\npp. 70 – 72<\/p>\n

A Decade of Forced Entertainment
\npp. 73 – 88<\/p>\n

Temper of the Times: A correspondence (Part Two)
\nEugenio Barba, Peter Hulton, Brigitte Kaquet
\npp. 89 – 97<\/p>\n

Prepared Pages
\nAlastair MacLennan
\npp. 96 – 97<\/p>\n

Sentenced to
\nJohn Hall
\npp. 98 – 102<\/p>\n

Changing Time
\nAndr\u00e9 Lepecki, Johannes Odenthal, John Ashford
\npp. 103 – 113<\/p>\n

Book Reviews
\nCindy Oswin, David Williams, Aaron Williamson
\npp. 114 – 122<\/p>\n

Archive Review
\nClaire MacDonald
\npp. 123 – 125<\/p>\n

Notes on Contributors
\npp. 126 – 128<\/p>\n\n\n