{"id":3064,"date":"2015-12-16T10:46:35","date_gmt":"2015-12-16T10:46:35","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=3064"},"modified":"2021-11-10T16:05:31","modified_gmt":"2021-11-10T16:05:31","slug":"20-6-on-annotation","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/20-6-on-annotation\/","title":{"rendered":"20.6 On An\/Notations"},"content":{"rendered":"

On An\/Notations<\/em>\u00a0considers the potential of the surface of the page, alongside other surfaces, including the screen, as sites for engaging with and thinking through performance ideas and processes. An annotation at its simplest level is adding information to information using some kind of mark-up language or tools. Annotation of body-based practice documentation (for example, video or motion capture) is research done on research, adding semantic layers and drawing further insights out of recorded (mainly past) events and actions. This issue will seek to engage projects using a wide range of approaches alongside critical reflection to draw out and make explicit research and insights from within the entanglement of sensing, feeling and thinking that is the body-based practitioner’s research field.<\/p>\n

The Body in the Margins\u2009: Alexandra Kollontai\u2019s command performance by\u00a0Lindsay Goss<\/p>\n

Notation for the Audience\u2009: The reading movement as way to implicate spectators by\u00a0Emilie Gallier<\/p>\n

Going to hear a dance\u2009: On audio describing by\u00a0Eleanor Margolies<\/p>\n

Notes on Annotation by\u00a0Florian Jenett<\/p>\n

Affective Traces in Virtual Spaces\u2009: Annotation and emerging dance scores by\u00a0Hetty Blades<\/p>\n

Worlds of MoCap\u2009: Writing dance on a three-dimensional canvas by\u00a0Laura Karreman<\/p>\n

Creating by Annotating\u2009: The director\u2019s notebooks of Jan Fabre and Jan Lauwers by\u00a0Timmy De Laet, Edith Cassiers, Luk van den Dries<\/p>\n

Notion of Notation >< Notation of Notion (artists\u2019 pages) by\u00a0Emma Cocker, Nikolaus Gansterer, Mariella Greil<\/p>\n

How Viral Poems are Annotated\u2009: On \u2018OCD\u2019 by Neil Hilborn by\u00a0Kila van der Starre<\/p>\n

Scoring the Generating Principles of Performance Systems by\u00a0Pil Hansen, Christopher House<\/p>\n

Report on a European Project\u2009: The laboratory for the twenty-first century (LABO21) by\u00a0Jonas Rutgeerts, Bertha Berm\u00fadez Pascual, BADCo., Sarah Whatley , Sarah Whatley<\/p>\n

Let\u2019s Make a World : A world to be alive in (artists\u2019 pages) by\u00a0Claire Hind, Gary Winters<\/p>\n

Rekall\u2009: An environment for notation \/ annotation \/ denotation by\u00a0Clarisse Bardiot<\/p>\n

Just in Time\u2009: Rosemary Butcher, making memories and marks by\u00a0Susan Melrose, Stefanie Sachsenmaier, Rosemary Butcher<\/p>\n

Jealousy, Transmission and Recovery by\u00a0Simon Ellis<\/p>\n

Translucent Surface \/ Quiet Body\u2009: Choreographic Notes by\u00a0Katrina Brown<\/p>\n

Performances in Footnote Form\u2009: While You Are With Us Here Tonight by\u00a0Mark Smith<\/p>\n

The Annotation of Skin by\u00a0Prarthana Purkayastha<\/p>\n

Dances I Only Heard in the Night by\u00a0Alana Gerecke<\/p>\n

Notes on Contributors<\/p>\n\n\n