The first edition of the Dictionary of Theatre Anthropology, brought into existence by CPR as described by Eugenio Barba inside the cover: “Without the insight, determination and courage of the Centre for Performance Research…this book would not have come about”.<\/p>\n
It \u00a0is a totally unique, lavishly illustrated sourcebook on Western and non-Western theatre. Most research in the west is concerned with naturalism and psychological realism in acting, this book focuses on the craft of the actor. It examines action in any heightened context \u2013 from combat to religion and ritual. The result of ten years\u2019 research by Eugenio Barba and the International School of Theatre Anthropology in Denmark, the Dictionary aims to expand our knowledge of the possibilities of the scenic body, and of the spectator\u2019s response to the dynamics of performance. It includes practical sections on balance, opposition and energy, and discusses such issues as, The Text and the Stage, The Dilated Body, and Energetic Language. The visual essay of photographs, drawings and diagrams which runs parallel to the text is skilfully constructed to complement the textual argument. Vital reading for students of contemporary theatre theory.<\/p>\n
A Dictionary of Theatre Anthropology subtly juxtaposes visual demonstrations of the performer\u2019s craft, from a wealth of Oriental and Occidental sources, to uncover knowledge of action in the heightened context of performance \u2013 from combat to religion and ritual. Whereas most Western research is concerned with naturalism and psychological realism in acting, the Dictionary focuses on the actor\u2019s arduous and eclectic craft. More than just a dictionary, however, this is a handbook for theatre practitioners and a guide for students and scholars of transcultural performance.
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