{"id":2921,"date":"2015-11-05T11:56:50","date_gmt":"2015-11-05T11:56:50","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2921"},"modified":"2016-02-19T14:56:04","modified_gmt":"2016-02-19T14:56:04","slug":"20-5-on-repetition","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/20-5-on-repetition\/","title":{"rendered":"20.5 On Repetition"},"content":{"rendered":"
\u2018The love of repetition is in truth the only happy love,\u2019 wrote S\u00f8ren Kierkegaard in 1843 in the guise of Constantin Constantius, describing his attempt to relive a love affair that was always-already lost.\u00a0But to love repetition is to love impossibility and paradox, and a number of these contrary impulses are foregrounded in\u00a0On Repetition<\/em>: between originality and repeatability, between boredom and excitement, and between the\u00a0now\u00a0<\/em>of performance and the longed-for\u00a0not yet<\/em>\u00a0or\u00a0never again<\/em>.\u00a0 Explored in relation to ritual, protest, gender, and trauma, as well as dance, theatre, and performance, this issue combines perspectives from artists and scholars; and, as to attend to repetition is to attend to the form of writing itself, it encourages textual interventions that blur the lines between the two.<\/p>\n Editorial : On Repetition Some people will do anything to keep themselves from being moved Repetition Compulsion: How I learned to love doing it again To be Re-Bitten and to Re-Become : Examining repeated embodied acts in ritual performance Silence and Alterity in a Recitation of the Qur\u2019an A Professional Body : Remembering, repeating and working out masculinities in fin-de-si\u00e8cle physical culture Queer Tools : An Intervention Repeating Repetition : Trauma and performance Restaging the anxiety of the image Staging an Exilic Autobiography : On the pleasures and frustrations of repetitions and returns 24 Frames in Commemoration of You : The matter and material I always return to in my studio Always in Translation : A walking dialogue Body Not Fit For Purpose Live Forever \/ In fragments, to begin \u2026 Repetition Is Repetition Is Until It Isn’t: DO THE FLIP Repeating Rosas danst Rosas : On the transmission of dance knowledge Fictional Realness : Towards a colloquial performance practice Re-Turning to The Show : Repetition and the construction of spaces of decision, affect and creative possibility Circular Paths of Pleasure in Marco Berrettini\u2019s iFeel2 Palinode of Glass Joy in Repetition : Critical genealogies of musical minimalism On Repetition in Ragnar Kjartansson and The National\u2019s A Lot of Sorrow <\/p>\n <\/p>\n<\/div>\n <\/p>\n <\/p>\n<\/div>\n <\/p>\n\n\n
\nEirini Kartsaki , Theron Schmidt<\/p>\n
\nTheron Schmidt<\/p>\n
\nRachel Gomme<\/p>\n
\nJerri Daboo<\/p>\n
\nChristopher Braddock<\/p>\n
\nBroderick D. V. Chow<\/p>\n
\nStacy Holman Jones, Anne Harris<\/p>\n
\nSuzanne Little<\/p>\n
\nAdrian Kear<\/p>\n
\nNatasha Davis, Yana Meerzon<\/p>\n
\nSheila Ghelani<\/p>\n
\nMary Paterson, Rajni Shah<\/p>\n
\nJonathan Burrows<\/p>\n
\nTim Etchells<\/p>\n
\nAndrew Poppy<\/p>\n
\nLaura Karreman<\/p>\n
\nOwen G. Parry<\/p>\n
\nKaterina Paramana<\/p>\n
\nEirini Kartsaki<\/p>\n
\nMatthew Goulish<\/p>\n
\nNicholas Till<\/p>\n
\nPatrick Nickleson<\/p>\n<\/div>\n