{"id":2921,"date":"2015-11-05T11:56:50","date_gmt":"2015-11-05T11:56:50","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2921"},"modified":"2016-02-19T14:56:04","modified_gmt":"2016-02-19T14:56:04","slug":"20-5-on-repetition","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/20-5-on-repetition\/","title":{"rendered":"20.5 On Repetition"},"content":{"rendered":"

\u2018The love of repetition is in truth the only happy love,\u2019 wrote S\u00f8ren Kierkegaard in 1843 in the guise of Constantin Constantius, describing his attempt to relive a love affair that was always-already lost.\u00a0But to love repetition is to love impossibility and paradox, and a number of these contrary impulses are foregrounded in\u00a0On Repetition<\/em>: between originality and repeatability, between boredom and excitement, and between the\u00a0now\u00a0<\/em>of performance and the longed-for\u00a0not yet<\/em>\u00a0or\u00a0never again<\/em>.\u00a0 Explored in relation to ritual, protest, gender, and trauma, as well as dance, theatre, and performance, this issue combines perspectives from artists and scholars; and, as to attend to repetition is to attend to the form of writing itself, it encourages textual interventions that blur the lines between the two.<\/p>\n

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Editorial : On Repetition
\nEirini Kartsaki , Theron Schmidt<\/p>\n

Some people will do anything to keep themselves from being moved
\nTheron Schmidt<\/p>\n

Repetition Compulsion: How I learned to love doing it again
\nRachel Gomme<\/p>\n

To be Re-Bitten and to Re-Become : Examining repeated embodied acts in ritual performance
\nJerri Daboo<\/p>\n

Silence and Alterity in a Recitation of the Qur\u2019an
\nChristopher Braddock<\/p>\n

A Professional Body : Remembering, repeating and working out masculinities in fin-de-si\u00e8cle physical culture
\nBroderick D. V. Chow<\/p>\n

Queer Tools : An Intervention
\nStacy Holman Jones, Anne Harris<\/p>\n

Repeating Repetition : Trauma and performance
\nSuzanne Little<\/p>\n

Restaging the anxiety of the image
\nAdrian Kear<\/p>\n

Staging an Exilic Autobiography : On the pleasures and frustrations of repetitions and returns
\nNatasha Davis, Yana Meerzon<\/p>\n

24 Frames in Commemoration of You : The matter and material I always return to in my studio
\nSheila Ghelani<\/p>\n

Always in Translation : A walking dialogue
\nMary Paterson, Rajni Shah<\/p>\n

Body Not Fit For Purpose
\nJonathan Burrows<\/p>\n

Live Forever \/ In fragments, to begin \u2026
\nTim Etchells<\/p>\n

Repetition Is Repetition Is Until It Isn’t: DO THE FLIP
\nAndrew Poppy<\/p>\n

Repeating Rosas danst Rosas : On the transmission of dance knowledge
\nLaura Karreman<\/p>\n

Fictional Realness : Towards a colloquial performance practice
\nOwen G. Parry<\/p>\n

Re-Turning to The Show : Repetition and the construction of spaces of decision, affect and creative possibility
\nKaterina Paramana<\/p>\n

Circular Paths of Pleasure in Marco Berrettini\u2019s iFeel2
\nEirini Kartsaki<\/p>\n

Palinode of Glass
\nMatthew Goulish<\/p>\n

Joy in Repetition : Critical genealogies of musical minimalism
\nNicholas Till<\/p>\n

On Repetition in Ragnar Kjartansson and The National\u2019s A Lot of Sorrow
\nPatrick Nickleson<\/p>\n<\/div>\n

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