{"id":2857,"date":"2015-09-24T14:09:43","date_gmt":"2015-09-24T14:09:43","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2857"},"modified":"2017-03-02T15:55:43","modified_gmt":"2017-03-02T15:55:43","slug":"20-4-on-institutions","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/20-4-on-institutions\/","title":{"rendered":"20.4 On Institutions"},"content":{"rendered":"

On Institutions<\/em>\u00a0explores the relation between performance and institutions building on the premise that institutional structures are formed through repeated sets of practices, patterns and relations. Through a performance studies lens that approaches the figure of the institution as verb, this issue considers how institutions are performance and in turn how performance practices may enforce, destabilize and initiate new modes of organisation. Although often read\u00a0as abstractions of seemingly objective, entrenched and systematic structures, institutions, whether\u00a0formal or informal, are always social processes. Thus, if institutional constructions and resources are established through repeated modes of action and arrangements, how might certain performance practices constitute radical acts, becomings and socialities, and by extension, potential performances of instituting otherwise? This edition of\u00a0Performance Research<\/em>\u00a0brings to the fore theoretical discourses and artistic production that explicitly negotiate with institutions through experimental praxes from within, through and beyond them.<\/p>\n

Settings and Steppings
\nGigi Argyropoulou, Hypatia Vourloumis<\/p>\n

The Institution between Precarization and Participation
\nBojana Kunst<\/p>\n

In the Ruins of the University : Institution in personal and public history
\nAlan Read, Forster & Heighes<\/p>\n

We are the Information and its Record (artist\u2019s pages)
\nKenneth Pietrobono<\/p>\n

The Magic of Artworlds (Three Scenes from Belgrade)
\nAna Vujanovi\u0107<\/p>\n

We Can\u2019t Go on Meeting Like This : Notes on affect and post-democratic organization
\nSimon Bayly<\/p>\n

What Theatre Can Do When We Know What is to be Done?
\nGoran Sergej Prista\u0161, BADCoEllen Stewart\u2019s La Mama ETC as Lower East Side Landing Site
\nHillary Miller<\/p>\n

The (Spectral) Lure of the Past : Sadler\u2019s Wells, capital and the institution of dance
\nK\u00e9lina Gotman<\/p>\n

Institutional Formations and Artistic Critique in German Ensemble Theatre
\nJonas Tinius<\/p>\n

Confronting the Institution in Performance : Liberate Tate’s Hidden Figures
\nLiberate Tate<\/p>\n

Otherwise, Instituting
\nAshon Crawley<\/p>\n

Topology of Space of the Independent Scenes in Serbia and Macedonia
\nMilka Ivanovska Hadjievska, Jasmina Zaloznik<\/p>\n

It\u2019s about Time : Creative placemaking and performance analytics
\nSarah Wilbur<\/p>\n

Putting Policy into Performance Studies?
\nBrandon Woolf<\/p>\n

The Impact Market : The complicity of practitioner-researchers in \u2018the spread of the university beyond the university\u2019
\nPaul Clarke<\/p>\n

Two Live Artists in the Theatre : A Dialogue
\nTania El Khoury, Deborah Pearson<\/p>\n

Glossary : \u2018On Institutions\u2019<\/p>\n

Solidarity
\nP.A. Skantze<\/p>\n

Art Storage\/Yafka [artist’s pages]
\nEirene Efstathiou<\/p>\n

Mikey the Rebelator
\nStefano Harney, Fred Moten<\/p>\n

Looking \u00e0 Skantze: the Spectator\u2019s Turn (review)
\nNicolas Whybrow<\/p>\n

\u00a0<\/span><\/h4>\n

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