{"id":2857,"date":"2015-09-24T14:09:43","date_gmt":"2015-09-24T14:09:43","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2857"},"modified":"2017-03-02T15:55:43","modified_gmt":"2017-03-02T15:55:43","slug":"20-4-on-institutions","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/20-4-on-institutions\/","title":{"rendered":"20.4 On Institutions"},"content":{"rendered":"
On Institutions<\/em>\u00a0explores the relation between performance and institutions building on the premise that institutional structures are formed through repeated sets of practices, patterns and relations. Through a performance studies lens that approaches the figure of the institution as verb, this issue considers how institutions are performance and in turn how performance practices may enforce, destabilize and initiate new modes of organisation. Although often read\u00a0as abstractions of seemingly objective, entrenched and systematic structures, institutions, whether\u00a0formal or informal, are always social processes. Thus, if institutional constructions and resources are established through repeated modes of action and arrangements, how might certain performance practices constitute radical acts, becomings and socialities, and by extension, potential performances of instituting otherwise? This edition of\u00a0Performance Research<\/em>\u00a0brings to the fore theoretical discourses and artistic production that explicitly negotiate with institutions through experimental praxes from within, through and beyond them.<\/p>\n Settings and Steppings The Institution between Precarization and Participation In the Ruins of the University : Institution in personal and public history We are the Information and its Record (artist\u2019s pages) The Magic of Artworlds (Three Scenes from Belgrade) We Can\u2019t Go on Meeting Like This : Notes on affect and post-democratic organization The (Spectral) Lure of the Past : Sadler\u2019s Wells, capital and the institution of dance Institutional Formations and Artistic Critique in German Ensemble Theatre Confronting the Institution in Performance : Liberate Tate’s Hidden Figures Otherwise, Instituting Topology of Space of the Independent Scenes in Serbia and Macedonia It\u2019s about Time : Creative placemaking and performance analytics Putting Policy into Performance Studies? The Impact Market : The complicity of practitioner-researchers in \u2018the spread of the university beyond the university\u2019 Two Live Artists in the Theatre : A Dialogue Glossary : \u2018On Institutions\u2019<\/p>\n Solidarity Art Storage\/Yafka [artist’s pages] Mikey the Rebelator Looking \u00e0 Skantze: the Spectator\u2019s Turn (review) <\/p>\n <\/p>\n<\/section>\n\n\n
\nGigi Argyropoulou, Hypatia Vourloumis<\/p>\n
\nBojana Kunst<\/p>\n
\nAlan Read, Forster & Heighes<\/p>\n
\nKenneth Pietrobono<\/p>\n
\nAna Vujanovi\u0107<\/p>\n
\nSimon Bayly<\/p>\n
\nGoran Sergej Prista\u0161, BADCoEllen Stewart\u2019s La Mama ETC as Lower East Side Landing Site
\nHillary Miller<\/p>\n
\nK\u00e9lina Gotman<\/p>\n
\nJonas Tinius<\/p>\n
\nLiberate Tate<\/p>\n
\nAshon Crawley<\/p>\n
\nMilka Ivanovska Hadjievska, Jasmina Zaloznik<\/p>\n
\nSarah Wilbur<\/p>\n
\nBrandon Woolf<\/p>\n
\nPaul Clarke<\/p>\n
\nTania El Khoury, Deborah Pearson<\/p>\n
\nP.A. Skantze<\/p>\n
\nEirene Efstathiou<\/p>\n
\nStefano Harney, Fred Moten<\/p>\n
\nNicolas Whybrow<\/p>\n\u00a0<\/span><\/h4>\n