{"id":2800,"date":"2015-07-02T14:07:07","date_gmt":"2015-07-02T14:07:07","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2800"},"modified":"2016-01-12T11:34:12","modified_gmt":"2016-01-12T11:34:12","slug":"19-6-on-rupture","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/19-6-on-rupture\/","title":{"rendered":"19.6 On Rupture"},"content":{"rendered":"

On Rupture<\/em>\u00a0explores performances and contexts of art that create points of contestation, imaginative realignments and diversionary tactics. It negotiates politics and its relationship to performance studies and considers how this relationship might be strengthened by positing new modes of thinking and practice as well as reassessing radical histories and ideas. \u00a0The issue features critical and performative writing and documentation of recent performances and civic protests. \u00a0Responding to the neo-liberal tendency to value art only as a manifestation of a history and narrative of social\/economic productivity\u00a0On Rupture<\/em>\u00a0is an argument for art as a multidirectional presence, given to producing ruptures and therefore able to confront the flattening out of the political in a post-political landscape.<\/p>\n

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On Rupture
\nPeter Eckersall, Helena Grehan<\/p>\n

Fissure(s) : Walking\/dancing along, across and in-between lines of difference
\nHolger Hartung<\/p>\n

An Unresolvable Dramaturgy : Dennis Del Favero\u2019s Todtnauberg and what it means to respond
\nHelena Grehan<\/p>\n

After the Rupture : Restoration or revolution?
\nThea Brejzek, Peter Falkenberg<\/p>\n

The Economics of the Performative Audience
\nJessica Santone<\/p>\n

Images that Sense Us : Performing visual culture in Jane Korman\u2019s Miss World Peace
\nBryoni Trezise<\/p>\n

CARRIAGE notes [artist\u2019s pages]
\nMick Douglas<\/p>\n

The Occupying Spectator : Audio-visual ruptures in performative representations of Israeli\u2013Palestinian encounters
\nRuthie Abeliovich<\/p>\n

On Resonance in Contemporary Site-Specific Projection Art
\nShana MacDonald<\/p>\n

Responding to Rupture : Kids Killing Kids
\nAsher Warren<\/p>\n

The Art of Lawlessness : by the Institute for Live Arts Research |\u03a0|
\nGigi Argyropoulou, Konstantina Georgelou, Vassilis Noulas, Natasha Siouzouli, Natasha Siouzouli, Manolis Tsipos, Eva Fotiadi<\/p>\n

On Resistance through Ruptures and the Rupture of Resistances : in Tino Sehgal\u2019s These Associations
\nKaterina Paramana<\/p>\n

How to Do Things with Performance Art
\nEdward Scheer<\/p>\n

Disrupting Technological Privilege : The 2013\u201314 San Francisco Google bus protests
\nAbigail De Kosnik<\/p>\n

Embodied Historiography : Rupture as the performance of history
\nBoyd Branch, Erika Hughes<\/p>\n

How Occupy challenged the political imagination (review)
\nKirsten Forkert<\/p>\n

Performativity of Time, Movement and Voice in Idle No More
\nSelena Couture<\/p>\n

Notes on Contributors<\/p>\n\n\n