{"id":2800,"date":"2015-07-02T14:07:07","date_gmt":"2015-07-02T14:07:07","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2800"},"modified":"2016-01-12T11:34:12","modified_gmt":"2016-01-12T11:34:12","slug":"19-6-on-rupture","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/19-6-on-rupture\/","title":{"rendered":"19.6 On Rupture"},"content":{"rendered":"
On Rupture<\/em>\u00a0explores performances and contexts of art that create points of contestation, imaginative realignments and diversionary tactics. It negotiates politics and its relationship to performance studies and considers how this relationship might be strengthened by positing new modes of thinking and practice as well as reassessing radical histories and ideas. \u00a0The issue features critical and performative writing and documentation of recent performances and civic protests. \u00a0Responding to the neo-liberal tendency to value art only as a manifestation of a history and narrative of social\/economic productivity\u00a0On Rupture<\/em>\u00a0is an argument for art as a multidirectional presence, given to producing ruptures and therefore able to confront the flattening out of the political in a post-political landscape.<\/p>\n <\/p>\n On Rupture Fissure(s) : Walking\/dancing along, across and in-between lines of difference An Unresolvable Dramaturgy : Dennis Del Favero\u2019s Todtnauberg and what it means to respond After the Rupture : Restoration or revolution? The Economics of the Performative Audience Images that Sense Us : Performing visual culture in Jane Korman\u2019s Miss World Peace CARRIAGE notes [artist\u2019s pages] The Occupying Spectator : Audio-visual ruptures in performative representations of Israeli\u2013Palestinian encounters On Resonance in Contemporary Site-Specific Projection Art Responding to Rupture : Kids Killing Kids The Art of Lawlessness : by the Institute for Live Arts Research |\u03a0| On Resistance through Ruptures and the Rupture of Resistances : in Tino Sehgal\u2019s These Associations How to Do Things with Performance Art Disrupting Technological Privilege : The 2013\u201314 San Francisco Google bus protests Embodied Historiography : Rupture as the performance of history How Occupy challenged the political imagination (review) Performativity of Time, Movement and Voice in Idle No More Notes on Contributors<\/p>\n\n\n
\nPeter Eckersall, Helena Grehan<\/p>\n
\nHolger Hartung<\/p>\n
\nHelena Grehan<\/p>\n
\nThea Brejzek, Peter Falkenberg<\/p>\n
\nJessica Santone<\/p>\n
\nBryoni Trezise<\/p>\n
\nMick Douglas<\/p>\n
\nRuthie Abeliovich<\/p>\n
\nShana MacDonald<\/p>\n
\nAsher Warren<\/p>\n
\nGigi Argyropoulou, Konstantina Georgelou, Vassilis Noulas, Natasha Siouzouli, Natasha Siouzouli, Manolis Tsipos, Eva Fotiadi<\/p>\n
\nKaterina Paramana<\/p>\n
\nEdward Scheer<\/p>\n
\nAbigail De Kosnik<\/p>\n
\nBoyd Branch, Erika Hughes<\/p>\n
\nKirsten Forkert<\/p>\n
\nSelena Couture<\/p>\n