{"id":2433,"date":"2014-12-12T12:10:00","date_gmt":"2014-12-12T12:10:00","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2433"},"modified":"2016-01-12T11:33:52","modified_gmt":"2016-01-12T11:33:52","slug":"19-5-on-turbulence","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/19-5-on-turbulence\/","title":{"rendered":"19.5 On Turbulence"},"content":{"rendered":"
On Turbulence<\/em>\u00a0explores the challenges of complexity in performance. Turbulence is associated with open systems, with networks; it is not simply a \u2018complex and unpredictable cultural or physical environment.\u2019 It is the phenomenon of feedback: or, more exactly, it is the self-conscious awareness of the power of feedback mechanisms to inaugurate new behaviours. It is associated with changes of state that appear spontaneous (or unscripted)because they respond to or interact with surface phenomena in real time. As a property of fluid transformation, turbulence is a physical phenomenon but also a psycho-social one. Its foregrounding as a creative principle emancipates the performer, the dramaturge and the audience, but in ways that may bring into question the viability of representations as such. Inevitably, the transgressive or boundary-dissolving character of turbulent formations has political implications: the middle ground between bodies is reconfigured but so is the ownership of the public domain. The ambition of the issue is to build new dialogues between the digital arts and the analog arts and between both of these and the sciences (with particular reference to the ecological sciences whose attributes of creativity, growth, mutation and transformation form such an obvious parallel with the kinds of aesthetic effect that many contemporary practitioners strive to achieve).<\/p>\n <\/p>\n Touchez \u2013 The Poetics of Turbulence On turbulence : In between mathematics and performance The Turbulence Project : Touching cities, visual tactility and windows Transference and Transition in Systems of Dance Generation Flash mobs, violence and the turbulent crowd Auguries of discord : Protest, activism and the swarm Turbulent Rhetorics in Keith Hennessy\u2019s Turbulence: A Dance About the Economy A Choreographer\u2019s Notes on Making a Dance about the Economy Performing the Paradox of Affect and Interpretation : Turbulence in Vertical City Absent Audiences : Circuit-bending the feedback loop \u2018The Haunting\u2019 : Screened stages and turbulent collisions The Self\/portrait Effects and Dance Performance : Rineke Dijkstra\u2019s The Krazyhouse and William Forsythe\u2019s the second detail Scoring Storms : The chaotic air that does resist Aquabatics : A post-turbulent performance in water Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom (review) Performance and the Global City edited by D. J. Hopkins and Kim Solga (review) Performing Exile, Performing Self: Drama, theatre, film by Yana Meerzon (review)
\nPaul Carter<\/p>\n
\nTelma Jo\u00e3o Santos<\/p>\n
\nKanta Kochhar-Lindgren<\/p>\n
\nPil Hansen, Karen Kaeja, Ame Henderson<\/p>\n
\nChristian DuComb, Jessica Benmen<\/p>\n
\nJames Riley<\/p>\n
\nLynette Hunter<\/p>\n
\nKeith Hennessy<\/p>\n
\nBruce Barton<\/p>\n
\nPedro Manuel<\/p>\n
\nRachel Joseph<\/p>\n
\nTamara Tomi\u0107-Vajagi\u0107<\/p>\n
\nElla Finer<\/p>\n
\nSarah Jane Pell<\/p>\n
\nAdam Alston<\/p>\n
\nMelissa Poll<\/p>\n
\nFreddie Rokem<\/p>\n<\/div>\n\n\n