{"id":2052,"date":"2014-10-01T14:54:05","date_gmt":"2014-10-01T14:54:05","guid":{"rendered":"http:\/\/thecpr.org.uk\/?post_type=product&p=2052"},"modified":"2019-05-23T12:39:09","modified_gmt":"2019-05-23T12:39:09","slug":"19-4-on-medicine","status":"publish","type":"product","link":"https:\/\/thecpr.org.uk\/product\/19-4-on-medicine\/","title":{"rendered":"19.4 On Medicine"},"content":{"rendered":"
On Medicine<\/em> explores the complex and vibrant relationship between medicine and performance. As a specific branch of science, medicine is sometimes overlooked in wider discussions about the interface between art and science, and so this issue seeks to re-dress this balance through examining the connections, dialogues and dissonances between medicine and performance. Via a necessarily interdisciplinary approach, the issue interrogates various modes of performance that engage with the histories, practices and discourse of medicine. In reflecting on medical contexts and approaches, it addresses the potential of performance and its modes of analysis to intervene in and extend vital debates around medical knowledge and practice, to enhance its understanding, and to offer a site of resistance and challenge to its influence and dominance. With contributions from artists, medical practitioners, patients and scholars, On Medicine considers the performance of medicine and medical performance across a diverse range of examples and histories.<\/p>\n Editorial : On Medicine Performance and the Hidden Curriculum in Medicine Performance as Evidence in Chronic Disease : Measuring health status and treatment outcomes through the quantification of performance Birth Story Clod Ensemble : Performing Medicine Spitparty : DNA imaging and aesthetic mimicry Exploring the Biomedical Paradigm in the Work of Jan Fabre Performing Chronic : Chronic illness and endurance art The Politics of Intimate Medical Performances Ive Tabar\u2019s body-art performances : El-en-i and Acceptio The Dissector\u2019s Cut, the Wound and the Orifice : Seeing Ron Athey\u2019s performances through a cultural anatomy of the vagina The Art of Kira O\u2019Reilly Music is Disease : Spectating cancer blogs Counternarratives of Breast Cancer and Chronic Illness : Performing disruption, patienthood and narrative repair Preparing for Ghosts : Anatomy that haunts Two Venuses : Historicizing the anatomical female body In the Museum of the Mobile Anatomy Show Performing the Body, Deforming the Book Galerie de Difformit\u00e9 Disability Culture and Performance: Rhizomes and re-embodiments in the work of Petra Kuppers (review) The Complex Politics of Care: Needs and interests, norms and desires (review) Notes on Contributors
\nMartin O’Brien, Gianna Bouchard
\npp. 1 – 5<\/p>\n
\nGretchen A. Case
\npp. 6 – 13<\/p>\n
\nArseli Dokumac\u0131
\npp. 14 – 24<\/p>\n
\nLena Simic
\npp. 25 – 30<\/p>\n
\nSuzy Willson
\npp. 31 – 37<\/p>\n
\nKlaus Spiess, Lucie Strecker
\npp. 38 – 44<\/p>\n
\nNathalie Roussel, Ann Hallemans, Jonas Rutgeerts, Jan Gielen, Jan Gielen, Luk van den Dries
\npp. 45 – 53<\/p>\n
\nMartin O’Brien
\npp. 54 – 63<\/p>\n
\nToma\u017e Krpi\u010d
\npp. 64 – 73<\/p>\n
\nJulia R. Gallego
\npp. 74 – 84<\/p>\n
\nKira O’Reilly
\npp. 85 – 87<\/p>\n
\nBrian Lobel
\npp. 88 – 96<\/p>\n
\nEmilia Nielsen
\npp. 97 – 106<\/p>\n
\nJoanna Whalley
\npp. 107 – 110<\/p>\n
\nKara Reilly
\npp. 111 – 121<\/p>\n
\nDavid Francis
\npp. 122 – 132<\/p>\n
\nGretchen E. Henderson
\npp. 133 – 136<\/p>\n
\nKirsty Johnston
\npp. 137 – 140<\/p>\n
\nBree Hadley
\npp. 141 – 144<\/p>\n
\npp. 145 – 146<\/p>\n\n\n