This issue of Performance Research will enfold an understanding of digital text within the context of performance studies, ordinary language philosophy and speech act theory, integrational linguistics, the performance of self and gender, and performance writing. In other words, we will be looking at the different modes of performance as they are manifest across the whole digital apparatus (dispositif). This includes machinic performance, the performance of codes and scripting, the performativity of language itself on the screen, the semiotics of the click, interactivity between digital language and the body, and how digital texts \u2018perform\u2019 us as social beings.<\/p>\n
Introduction
\nJerome Fletcher
\npp. i – iii
\nR\/W\/E or CHMOD-777
\nCharles Baldwin
\npp. 4 – 9
\nReading and Giving – Voice and Language
\nJohn Cayley
\npp. 10 – 19
\nPerforming Apps : Touch and Gesture as Aesthetic Experience
\nMaria Engberg
\npp. 20 – 27
\nHypertext reading : a retro-projective performance
\nAlexandra Saemmer
\npp. 28 – 37
\nDigitaland : Digital Performance
\nNicolas Salazar Sutil, Sebastian Melo
\npp. 38 – 47
\nJesurun\u2019s Digitalist Firefall
\nChristophe Collard
\npp. 48 – 53
\nVirtual dramaturgy : Finding liberty in the virtual machine
\nKristof Van Baarle, Christel Stalpaert, Kris Verdonck
\npp. 54 – 62
\nTransitional Materialities and the performance of Javascript
\nNathan Walker
\npp. 63 – 68
\nLive Code : Notations on a Kairotic Practice
\nEmma Cocker
\npp. 69 – 76
\nTowards a Poor Techno-theatre
\nAravind Enrique Adyanthaya
\npp. 77 – 85
\nDirty Code for a Dirty City [artists pages]
\npp. 86 – 87
\nThe Broadside of a Yarn : A Situationist strategy for spinning sea stories ashore
\nJ. R. Carpenter
\npp. 88 – 95
\n#Nightwatch : An abridged transcript
\npp. 96 – 100
\nSend : Act : Perform
\nRosemary Klich
\npp. 101 – 107
\nGossip Girl Goes to the Gallery : Bernadette Corporation and digitextuality
\nHeather Warren-Crow
\npp. 108 – 119
\nThe Dance without the Dancer : Writing dance in digital scores
\nLaura Karreman
\npp. 120 – 128
\nOn the Screen Floor: Exploring dances of digital language and writing
\nDanae Theodoridou
\npp. 129 – 136
\nBullet Points (review)
\nClaire MacDonald
\npp. 137 – 140
\nNotes on Contributors
\npp. 141 – 142<\/p>\n\n\n